Search
My feed
2019

Slave Rebellion Reenactment

SRR Performance - Still 1
Congo Square, North Rampart Street, New Orleans, LA, USA

Empower

Collection · 3 items

history

10 sub-collections · 252 items
Sub-collection

Political

Sub-collection · 21 items

Related

video

America’s largest slave revolt brought back to life

Performance artist Dread Scott recreates the the largely untold story of the 1811 slave rebellion in southern Louisiana.

Dread Scott
Walking piece

Drawing Walks and Intervals as Activation Devices

Drawing Walks and Intervals as Activation Devices explores how walking and drawing activate shifts between roles and selves.

Joe Richardson
Walking piece

The Monday Walks

The Monday Walks were inspired by the demonstrations that took place in Leipzig leading up to the fall of the Berlin Wall in 1989 and beyond, the so-called Montagsdemonstrationen (Monday Demonstrations).

Sophia New Daniel Belasco Rogers +1
Sound walk

IMMA Timescapes Soundwalk

The IMMA Timescapes Soundwalk is a hybrid soundwalk / performance resulting from a collaboration between composer and sound artist Robert Coleman, ornithologist Seán Ronayne, and performer and improviser Seán Mac Erlaine.

Robert Coleman
walkingevent

Death in New York Walking Tour

Trace more than four centuries of life and death in NYC on a tour of Battery Park, the Financial District, Tribeca, the Civic Center, and Chinatown (led by Death in New York author K. Krombie).

Babak Fakhamzadeh

Empower

Collection · 3 items

history

10 sub-collections · 252 items
Sub-collection

Political

Sub-collection · 21 items

Related

video

America’s largest slave revolt brought back to life

Performance artist Dread Scott recreates the the largely untold story of the 1811 slave rebellion in southern Louisiana.

Dread Scott
Walking piece

Drawing Walks and Intervals as Activation Devices

Drawing Walks and Intervals as Activation Devices explores how walking and drawing activate shifts between roles and selves.

Joe Richardson
Walking piece

The Monday Walks

The Monday Walks were inspired by the demonstrations that took place in Leipzig leading up to the fall of the Berlin Wall in 1989 and beyond, the so-called Montagsdemonstrationen (Monday Demonstrations).

Sophia New Daniel Belasco Rogers +1
Sound walk

IMMA Timescapes Soundwalk

The IMMA Timescapes Soundwalk is a hybrid soundwalk / performance resulting from a collaboration between composer and sound artist Robert Coleman, ornithologist Seán Ronayne, and performer and improviser Seán Mac Erlaine.

Robert Coleman
walkingevent

Death in New York Walking Tour

Trace more than four centuries of life and death in NYC on a tour of Battery Park, the Financial District, Tribeca, the Civic Center, and Chinatown (led by Death in New York author K. Krombie).

Babak Fakhamzadeh
Slave Rebellion Reenactment (2019) by Dread Scott reenacted the 1811 German Coast Uprising, with hundreds of Black participants marching 26 miles in period dress. The performance and film honored enslaved rebels’ fight for freedom and reimagined history.

Slave Rebellion Reenactment is a community-engaged artist performance and film production that, on November 8-9, 2019, reimagined the German Coast Uprising of 1811, which took place in the river parishes just outside of New Orleans. Envisioned and organized by artist Dread Scott and documented by filmmaker John Akomfrah, Slave Rebellion Reenactment (SRR) animated a suppressed history of people with an audacious plan to organize and seize Orleans Territory, to fight not just for their own emancipation, but to end slavery. It is a project about freedom.

The artwork involved hundreds of reenactors in period specific clothing marching for two days covering 26 miles. The reenactment, the culmination of a period of organizing and preparation, took place upriver from New Orleans in the locations where the 1811 revolt occurred – with the exurban communities and industry that have replaced the sugar plantations as its backdrop. The reenactment was an impressive and startling sight—hundreds of Black re-enactors, many on horses, flags flying, in 19th-century French colonial garments, singing in Creole and English to African drumming.

The reenactment concluded in Congo Square, a location instrumental for preserving African culture in America, with a celebration—transforming the violent suppression of the freedom fighters into a celebration of their achievement. Slave Rebellion Reenactment continued the original rebels’ vision of emancipation that was embodied throughout the performance and opened the possibility for participants and audience members to imagine freedom.

To engage a variety of audiences, the project had multiple identities: the reenactment itself, a multichannel film installation of documentation from the event and the recruitment meetings, and documentary photos.

Credits

Slave Rebellion Reenactment was presented by Antenna, a New Orleans based multi-arts organization, with support by many other local organizations including RicRACK, Tulane’s New Orleans Center for the Gulf South, University of New Orleans School of the Arts, Midlo Center for New Orleans Studies, Xavier University, Community Book Center, and Junebug Productions.

Funding and support for this project was provided by The Louisiana Entertainment Motion Picture Production Program, Open Society Foundations, VIA Art Fund, Ford Foundation, Surdna Foundation, MAP Fund, Andy Warhol Foundation for the Visual Arts, Nathan Cummings Foundation, A Blade of Grass, Art Matters, Givens Foundation for African American Literature, Andrew Porter, McColl Center for Art + Innovation, Smack Mellon, Gore Family Foundation, Prospect New Orleans, Triskeles Foundation Herringbone Fund, Westridge Foundation, Paige West, Cordy, Ethan, & William Ryman, Manon Slome, Glenn F. Scotland, Mary Katherine Ford, and an incredible group of over 500 other individuals.

Full credits at: https://www.slave-revolt.com/credits/

APA style reference

Scott, D. (2019). Slave Rebellion Reenactment. walk · listen · create. https://walklistencreate.org/walkingpiece/slave-rebellion-reenactment/
Submitted by: Dani Spadotto

driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

Added by R and F Mo
Problem?

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.
Follow us