Related
L E T M E T A K E Y O U T H E R E
This 18-minute stereo sound walk, set in a snowy field north of Hebden Bridge, UK, combines field recordings, ambient drones, and 1980s pop loops with a spoken monologue linking cultural figures like Leon Trotsky and Ian Curtis. The piece centers on photographer Charlie Meecham capturing the snowy scene used for Joy Division’s single "Atmosphere" cover, incorporating contributions from Paul Rooney and others.
A Meeting Place | 会议地点
This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.
Related
L E T M E T A K E Y O U T H E R E
This 18-minute stereo sound walk, set in a snowy field north of Hebden Bridge, UK, combines field recordings, ambient drones, and 1980s pop loops with a spoken monologue linking cultural figures like Leon Trotsky and Ian Curtis. The piece centers on photographer Charlie Meecham capturing the snowy scene used for Joy Division’s single "Atmosphere" cover, incorporating contributions from Paul Rooney and others.
A Meeting Place | 会议地点
This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.
Sonic Blooming is a guided meditation on the sound of movement, growth, and transformation in our environments both external and internal. At the time of year when the roses at the International Rose Test Garden are beginning to bloom, plants are generating extra energy. In this soundwalk Crystal has used a process called Biodata Sonification, attaching sensors to the plant’s in the garden to collect their electrical impulses. She has translated these impulses into musical pitches and sound that make up half of the composition visitors will hear. The other half of the composition is made up of field recordings collected in the space. Soundwalkers will be able to listen to this soundscape via a weblink as they explore the garden. Crystal is working with web developers Michael Romay and Jena Boehm, who are creating a site that will host the music, instructions, and have a place where visitors can upload their own field recordings which will be integrated with the soundscapes over the course of the month.
Credits
Hosted by: Third Angle New Music

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