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In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
During a 2007 Walking and Art residency at the Banff Centre, I made walking sticks and related devices, exploring ways in which walking leaves traces and tracks in the landscape. Walking in the Banff area brings a certain frisson; there is always the possibility of dangerous encounters with other species, the elements, and difficult terrain. One of the key elements of this exploration was the creation of Stamps Sticks – sticks collected from the forest, with a carved lino stamp added to one end.
Credits
The work was created during the Banff Centre for Arts and Creativity residency.
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