Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.

Direction is a minimalist event-score by George Brecht, inviting participants to observe a directional sign, follow it, then choose a different path. This simple act blurs the line between art and life, exploring control, choice, and navigation in daily life.

Man Who Runs, a 1963 piece published in Fluxus Magazine cc V TRE, was displayed on the second page as a map of the midtown New York Public Library, with arrows indicating the exit paths.

A participatory urban action by Paulo Bruscky invited the public to walk specific streets of Recife while reading any paper, shifting attention between page and city. On a sunny day, perception itself becomes the artwork—an exercise in seeing rather

Extreme Slow Walk is an exercise where participants move as slowly as possible, shifting weight with awareness. By disrupting habitual rhythm, it sharpens perception of breath, balance, and subtle bodily sensations.

4th Finale featured Lynghøj School Brass Band performing self-chosen, evolving sounds while gradually leaving Stændertorvet. The audience followed the dispersing orchestra in procession toward the Viking Ship Museum.