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2016

Strata-Walks

Strata-Walks with Brock University Sculpture Students-Walk #3

Sub-collection

Cartography

Sub-collection · 13 items

Observational

Collection · 16 items

phenomenology

Collection · 8 items
Sub-collection

practice-related research

Sub-collection · 3 items

Related

Walking piece

radicant backpack

This device is a fragment of an exposition that I called “radicant biomap” at MARQ. Buenos Aires. A line, a horizon that cannot stop and through the inherited and sustained plain defines a map that proposes the march. Ephemeral roots that only leave temporary traces to move like the radicals towards a destiny made of condensations of strokes, to generate a more fluid cartography through time that not only repeats situations, but creates new scenarios between the urban, the rural areas and the delicious spaces in between. A map of a new condition, which moves us and moves us towards new experiences in the territory to once again apprehend the inner turmoil of life. Jh @jesushuarte.arte @territoriodearquitectura Buenos Aires. Argentina.

Maria Jesús Huarte
Walking piece

To Walk

To Walk is a poster project by Richard Wentworth featuring his characteristically anonymous photographs of places in England, distributed in towns such as Charleston, Ramsgate, and Rochester as an invitation for the public to walk and re-engage with their urban and rural surroundings.

Richard Wentworth
Walking piece

Head Sculpture

Head Sculpture, a performance by Efrat Natan, used a T-shaped headpiece worn while walking in Tel Aviv after Independence Day to restrict vision and draw attention, questioning belonging, conformity, and militarized urban space through bodily limitation.

Efrat Natan
Walking piece

Foraging

Foraging by Peter Hutchinson is a six-day backpacking journal documenting a trip near Aspen. It combines personal reflections, a poisonous mushroom incident, and philosophical musings on nature and existence, marking Hutchinson’s shift from earth art to story art.

Peter Hutchinson
Sub-collection

Cartography

Sub-collection · 13 items

Observational

Collection · 16 items

phenomenology

Collection · 8 items
Sub-collection

practice-related research

Sub-collection · 3 items

Related

Walking piece

radicant backpack

This device is a fragment of an exposition that I called “radicant biomap” at MARQ. Buenos Aires. A line, a horizon that cannot stop and through the inherited and sustained plain defines a map that proposes the march. Ephemeral roots that only leave temporary traces to move like the radicals towards a destiny made of condensations of strokes, to generate a more fluid cartography through time that not only repeats situations, but creates new scenarios between the urban, the rural areas and the delicious spaces in between. A map of a new condition, which moves us and moves us towards new experiences in the territory to once again apprehend the inner turmoil of life. Jh @jesushuarte.arte @territoriodearquitectura Buenos Aires. Argentina.

Maria Jesús Huarte
Walking piece

To Walk

To Walk is a poster project by Richard Wentworth featuring his characteristically anonymous photographs of places in England, distributed in towns such as Charleston, Ramsgate, and Rochester as an invitation for the public to walk and re-engage with their urban and rural surroundings.

Richard Wentworth
Walking piece

Head Sculpture

Head Sculpture, a performance by Efrat Natan, used a T-shaped headpiece worn while walking in Tel Aviv after Independence Day to restrict vision and draw attention, questioning belonging, conformity, and militarized urban space through bodily limitation.

Efrat Natan
Walking piece

Foraging

Foraging by Peter Hutchinson is a six-day backpacking journal documenting a trip near Aspen. It combines personal reflections, a poisonous mushroom incident, and philosophical musings on nature and existence, marking Hutchinson’s shift from earth art to story art.

Peter Hutchinson
Walking piece
Strata-Walks is an interdisciplinary walking series by the Hamilton Perambulatory Unit that uses stratigraphy to explore layered landscapes. Through guided, participatory walks, it transforms walking into public pedagogy, mapping social, sensory, and historical place-based knowledge.

Strata-Walks is an experimental, interdisciplinary series of walking practices and participatory cartographic events that reimagines how we perceive, navigate, and make meaning of places. Developed by the Hamilton Perambulatory Unit — a collective of artists, writers, and educators — the series uses the metaphor of stratigraphy to explore the complex layers that form a landscape: physical, social, historical, sensory, emotional, political, and speculative.

At its core, Strata-Walks invites participants to slow down, pay attention, and map the many unseen or overlooked “strata” of a site — whether urban streets, campus blocks, or cultural corridors — through guided prompts that encourage noticing everything from architectural histories to smell and soundscapes, non-human life, personal narratives, and imagined futures. These walks can be solo or collective, adapted to different mobility practices, and aim to turn simple perambulation into an act of making knowledge about place.

The creative outcome isn’t an object but an event: a set of relational experiences, participatory maps, and layered narratives that reveal intricate ties between bodies and environments. Strata-Walks functions as public pedagogy and relational art, dissolving boundaries between walking, sensing, thinking, and mapping in diverse contexts.

HPU Strata-Walks with Brock University Sculpture Students — Walk #3This walk was part of a sequence of directed strata mapping exercises led with sculpture students from Brock University in St. Catharines, Ontario. Participants were asked to seek out objects and phenomena along the route that could be conceived as sculpture — things that might be exhibited or thought of as artistic forms — and to photograph and reflect on them as part of their engagement with the place. This task reframed ordinary urban features (signage, surfaces, textures) as potential artworks, prompting deeper attention to how sites accumulate meanings and forms.

HPU Strata-Walks Memphis (Windows & Doors)In this iteration of a Memphis strata walk, the focus was trained on windows and doors as urban strata — key architectural features that both frame views and mediate entry and exit. By attending to patterns, repetitions, and the materiality of these elements, the walk explored how thresholds in the built environment reveal histories of use, transition, access, exclusion, and change. The visual rhythms of openings also became a way to think about gentrification, circulation, and social narratives embedded in the city’s façades.

HPU Strata-Walks Memphis (Signs & Signs)Another Memphis walk centered on signs — both commercial and civic — as rich strata of text and symbol in urban life. Participants observed and documented the various signs encountered (advertising, wayfinding, graffiti, institutional markings), considering how they communicate systems of meaning, authority, belonging, and identity in Midtown Memphis. Through these strata, walkers tuned into the layers of messaging that shape everyday experience and the politics of place.

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As found on the Walkinglab website.

APA style reference

Unit, H. (2016). Strata-Walks. walk · listen · create. https://walklistencreate.org/walkingpiece/strata-walks/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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