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SUSTAINABLE DANCE FLOOR

Dance

dance

Collection · 44 items

movement

Collection · 39 items

music

Collection · 96 items

Related

Sound walk

Sunset Bay Soundwalk

Sunset Bay Soundwalk combines a binaural soundscape recording made while walking the rocky, crescent shaped beach at low tide. The instrumental score reflects the carefree summer Sunday morning mood.

Chad Crouch
url

Takin’ A Walk

The "takin' a walk" MUSIC HISTORY ON FOOT podcast is a show hosted by Buzz Knight, a media executive and consultant, and a passionate music lover. In this podcast, Buzz takes listeners on a journey through music history, exploring the inside stories from guests, while sharing stories and insights about musicians, bands, and the music they create.

book

Marcher, créer – Déplacements, flâneries, dérives dans l’art de la fin du XXe siècle

Thierry Davila examines movement and mobility in contemporary art as tools for making art, focusing on the figure of the walker or surveyor. The book starts from the idea that part of contemporary art gives movement a central role in the creation of artworks. While this continues a long art-historical tradition in which the walking

Thierry Davila
url

Songs about walking

Facebook-page Songs about walking, to smoothen the days ahead during self-isolation at home. Feel free to add your own selection of Walking Songs.

dance

Collection · 44 items

movement

Collection · 39 items

music

Collection · 96 items

Related

Sound walk

Sunset Bay Soundwalk

Sunset Bay Soundwalk combines a binaural soundscape recording made while walking the rocky, crescent shaped beach at low tide. The instrumental score reflects the carefree summer Sunday morning mood.

Chad Crouch
url

Takin’ A Walk

The "takin' a walk" MUSIC HISTORY ON FOOT podcast is a show hosted by Buzz Knight, a media executive and consultant, and a passionate music lover. In this podcast, Buzz takes listeners on a journey through music history, exploring the inside stories from guests, while sharing stories and insights about musicians, bands, and the music they create.

book

Marcher, créer – Déplacements, flâneries, dérives dans l’art de la fin du XXe siècle

Thierry Davila examines movement and mobility in contemporary art as tools for making art, focusing on the figure of the walker or surveyor. The book starts from the idea that part of contemporary art gives movement a central role in the creation of artworks. While this continues a long art-historical tradition in which the walking

Thierry Davila
url

Songs about walking

Facebook-page Songs about walking, to smoothen the days ahead during self-isolation at home. Feel free to add your own selection of Walking Songs.

Sound walk
SUSTAINABLE DANCE FLOOR is the interactive dance floor that generates electricity through the act of dancing. SUSTAINABLE DANCE FLOOR produces up to 25 watts per module. The generated energy is used to power the lighting and DJ booth.

SUSTAINABLE DANCE FLOOR is the interactive dance floor that generates electricity through the act of dancing.

SUSTAINABLE DANCE FLOOR produces up to 25 watts per module. The generated energy is used to power the lighting and DJ booth. Through interactive technologies an open environment is created in which dancers are engaged with the sustainable experience.

APA style reference

Roosegaarde, S. (2017). SUSTAINABLE DANCE FLOOR. walk · listen · create. https://walklistencreate.org/walkingpiece/sustainable-dance-floor/
Submitted by: Babak Fakhamzadeh

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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