Related
Shelter I & II, quartzite ridge
Shelter I & II reflect Nici Cumpston’s deep connection to Country and the traces of Aboriginal presence in the landscape. Created from a serendipitous misprint, the two reversed images were paired to form an imagined place of refuge within a harsh environment.
Related
Shelter I & II, quartzite ridge
Shelter I & II reflect Nici Cumpston’s deep connection to Country and the traces of Aboriginal presence in the landscape. Created from a serendipitous misprint, the two reversed images were paired to form an imagined place of refuge within a harsh environment.
Performative durational work
In The New Field, Public Studio walked the entirety of the 900km Bruce Trail while actively exploring the question: What does decolonization look like?
Along the trail, Public Studio invited by artists, activists, scientists, writers, curators, philosophers, and youth groups to join them and activate the footpath as a way of sharing knowledge across a diverse public. Indigenous writer and “geomythologist” Lenore Keeshig lead Public Studio across the unceded territory of the Chippewas of the Nawash; artist and theatre director Ange Loft lead a tour that included theatre warm-up exercises and a discussion of land acknowledgments; Geologist and director of the Bruce Trail Conservancy Beth Gilhespy chronicled land formations, activist and artist Syrus Marcus Ware led thirty five kids on a botanical drawing walk; multidisciplinary artist Diane Borsato brought art students, a western botanist and a traditional Indigenous medicine woman into dialogue; and writer and critic Amish Morell’s graduate students walked, read poetry and reimagined the land at a reconstructed Iroquoian village archaeological site.
_Information available on Public Studio’s website.
Credits
Collaborators who led public walks: Lenore Keeshig, Ange Loft, Beth Gilhespy, and Syrus Marcus Ware.

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