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2014

The Olfactory Chambers of Ward No. 88

Untitled
Bangalore, Karnataka, India

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Activism or Protest

Sub-collection · 54 items
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Environmentalism

Sub-collection · 25 items

Group Walks

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urban

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Sub-collection

Activism or Protest

Sub-collection · 54 items
Sub-collection

Environmentalism

Sub-collection · 25 items

Group Walks

Collection · 26 items
Sub-collection

urban

Sub-collection · 112 items

Related

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Olfactory Chambers of Ward 88 was a walk through drains and dumps, highlighting the invisible labor of garbage workers and the city’s hidden waste landscapes, foregrounding lived realities erased by mainstream discourse.

A walk in and around drains and dumps

The catalyst for the walk was the death of two manual scavengers in a pothole, adding to a list of growing absurd obituaries of workers dying in the city’s underbelly.

Olfactory chambers of ward 88 was a protest against the mainstream discourse around garbage. Garbage has become a ‘civic issue’, the main preoccupation of municipal authorities, government officials and citizens alike. Newspaper headlines shriek daily of the grotesque apparition that mars the city’s modern image. Absent from most reports on garbage, however, are the conditions and lived realities of the workers who work invisibly. The journey of the garbage bag only begins once it is placed outside the door. Who collects it, where is it carried, who sifts through the piles, early in the morning, in the dead of the night?

Olfactory chambers of ward 88 was a walk rooted in the labour practices involved in garbage collection and disposal. An effort to create linkages between past and present, to foreground tenuous histories that political campaigns seek to obliterate. To listen to the story of the old man with the rake, the woman with the broom, the hands in the dump. To get a glimpse of the city that floats, gurgles silently behind paved concrete, to travel to the outskirts of the city to landscapes made of waste.

The walk was led by odour.

Credits

MITTAL, Ekta (ed.). IMAGINARIUM: of Sensuous Experiments — Field Notes from a City in Flux. Bengaluru: [publisher not identified], 2019.

APA style reference

Collective, M. (2014). The Olfactory Chambers of Ward No. 88. walk · listen · create. https://walklistencreate.org/walkingpiece/the-olfactory-chambers-of-ward-no-88/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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