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Queer ecologies, plant-lore and landscape – a Salon with Sarah Royston
Video recording of a Walking Writers’ Salon with Sarah Royston, author of Fernseed: A Collection of Tales, in which she gives us a very good definition for queer ecology! Fernseed: A Collection of Tales takes a speculative dive into history and the English landscape, from ancient standing stones to crackling pylons, deep holy wells and
Trees in Nineteenth-Century English Fiction: The Silvicultural Novel
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English
A Flat Place
Part-travelogue through Britain’s flat landscapes, part-memoir, A Flat Place investigates how flat spaces might give shape and succour to complex trauma. It’s been reviewed in the New York Times, the Washington Post, the Financial Times, the New Statesman, the Chicago Review of Books, the i paper, Prospect, the Big Issue, Hyphen, and the Arts Desk. ‘A Flat Place cuts new ground, mixing literary criticism, decolonial history, and boldly
Write About Walking In The Dark Showcase
Write About Walking In The Dark Showcase event introduces new writing from 11 shortlisted authors of the walk · listen · create annual writing competition and includes readings of their poetry and prose. Erin Bondo, Krista Carson, Paul Connolly, Elizabeth Fevyer, Eleanor Holmes, Sarah Leavesley/James, Rosaleen Lynch, Isabella Mead Husain, Laura Theis, Penny Walker, and Emily Wilkinson. We are delighted that author and poet Electra
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+12 Related
Queer ecologies, plant-lore and landscape – a Salon with Sarah Royston
Video recording of a Walking Writers’ Salon with Sarah Royston, author of Fernseed: A Collection of Tales, in which she gives us a very good definition for queer ecology! Fernseed: A Collection of Tales takes a speculative dive into history and the English landscape, from ancient standing stones to crackling pylons, deep holy wells and
Trees in Nineteenth-Century English Fiction: The Silvicultural Novel
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English
A Flat Place
Part-travelogue through Britain’s flat landscapes, part-memoir, A Flat Place investigates how flat spaces might give shape and succour to complex trauma. It’s been reviewed in the New York Times, the Washington Post, the Financial Times, the New Statesman, the Chicago Review of Books, the i paper, Prospect, the Big Issue, Hyphen, and the Arts Desk. ‘A Flat Place cuts new ground, mixing literary criticism, decolonial history, and boldly
Write About Walking In The Dark Showcase
Write About Walking In The Dark Showcase event introduces new writing from 11 shortlisted authors of the walk · listen · create annual writing competition and includes readings of their poetry and prose. Erin Bondo, Krista Carson, Paul Connolly, Elizabeth Fevyer, Eleanor Holmes, Sarah Leavesley/James, Rosaleen Lynch, Isabella Mead Husain, Laura Theis, Penny Walker, and Emily Wilkinson. We are delighted that author and poet Electra
• +12 The Road North is a word-map of Scotland, composed by Alec Finlay and Ken Cockburn as they traveled through their homeland, guided by the Japanese poet Basho, whose Oku-no-Hosomichi (Narrow Road to the Deep North) is one of the masterpieces of travel literature. Ken and Alec departed from Edinburgh on May 16, 2010 — the very same date that Basho and his companion Sora departed from Edo in 1689. The result of their journey is a collaborative audio and visual word-map realized as a blog, book, and audio recording, describing the landscapes they saw and the people they met.
An audio recording accompanies the book-length poem, published by Shearsman in October 2014. The recording is an abridged version of the poem, performed by Alec Finlay, Ken Cockburn, and Lisa Matsumoto, with sound design by Geoff Sample.
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