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2016

This whole world is wild at heart and weird on top (2 tracks)

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Multiple locations

Brussels

Collection · 7 items

Netherlands

Collection · 12 items

Norway

Collection · 11 items

Shopping

Collection · 7 items

Related

Sound walk

New Year’s Day walk

This post documents a walk through the forested center of Karmøy island in Skudeneshavn, Norway, on New Year’s Day 2021, featuring text, photos, drawings, and film. The content is part of the Walking the Land project, inspired by prompt words from Scottish artist and poet Thomas A Clark.

Janette Kerr
Sound walk

Carte bavarde des Cités-Jardins / Chatty map from the “Garden city” (Brussels)

Two garden cities in south-east Brussels, nearing their 100th anniversary, are the focus of a project collecting resident interviews about local experiences. These French-language testimonies are mapped for online exploration or geolocated walking tours, initiated by sound artist Anne Versailles with the Maison de quartier des Cités-Jardins.

Anne Versailles
Sound walk

Entangled in the Mesh

Entangled in the Mesh is a geolocative soundwalk at Campus Ås, Norway, featuring deadwood sculptures and multiple layered soundscapes accessible via the Locosonic app or loaned devices. The project explores interconnected ecological networks and non-human perspectives through sonic landscapes, durational sculptures, and multisensory experiences reflecting geological time scales and speculative futures.

Anne Cecilie Caroline Brunborg Lie
Sound walk

Synchronize (2005/2019)

Synchronize (2005/2019) Dordrecht, Netherlands The work Synchronize consists of a walking route and a mp3 file. While walking the route you need to wear headphones or earphones. Listen to the mp3, and follow the walk as done by Frans van Lent, the artist, earlier. Synchronise with the sound of his walking feet.

Frans van Lent

Brussels

Collection · 7 items

Netherlands

Collection · 12 items

Norway

Collection · 11 items

Shopping

Collection · 7 items

Related

Sound walk

New Year’s Day walk

This post documents a walk through the forested center of Karmøy island in Skudeneshavn, Norway, on New Year’s Day 2021, featuring text, photos, drawings, and film. The content is part of the Walking the Land project, inspired by prompt words from Scottish artist and poet Thomas A Clark.

Janette Kerr
Sound walk

Carte bavarde des Cités-Jardins / Chatty map from the “Garden city” (Brussels)

Two garden cities in south-east Brussels, nearing their 100th anniversary, are the focus of a project collecting resident interviews about local experiences. These French-language testimonies are mapped for online exploration or geolocated walking tours, initiated by sound artist Anne Versailles with the Maison de quartier des Cités-Jardins.

Anne Versailles
Sound walk

Entangled in the Mesh

Entangled in the Mesh is a geolocative soundwalk at Campus Ås, Norway, featuring deadwood sculptures and multiple layered soundscapes accessible via the Locosonic app or loaned devices. The project explores interconnected ecological networks and non-human perspectives through sonic landscapes, durational sculptures, and multisensory experiences reflecting geological time scales and speculative futures.

Anne Cecilie Caroline Brunborg Lie
Sound walk

Synchronize (2005/2019)

Synchronize (2005/2019) Dordrecht, Netherlands The work Synchronize consists of a walking route and a mp3 file. While walking the route you need to wear headphones or earphones. Listen to the mp3, and follow the walk as done by Frans van Lent, the artist, earlier. Synchronise with the sound of his walking feet.

Frans van Lent
Walking piece
This project comprises two self-performative sound-walks designed for shopping centers in Luxembourg, specifically Belle Étoile and Auchan, exploring the over-affirmative misuse of commercial spaces. Adaptable versions of these headphone-based pieces have also been created for shopping centers in Bergen, Brussels, Maastricht, and Kortrijk.

Head-phone and life-score pieces for an over-affirmative misuse of commercial spaces.

With two self-performative sound-walks for head & phones for two shopping centers in Luxembourg.

With a bit of adaption this tracks are ready to be performed in any such shopping center; other versions exist for shopping centers in Bergen (Norway), Brussels (Belgium), Maastricht (Netherlands) and Kortrijk (Belgium).

1. MAKE IT SO IN BELLE ÉTOILE
for the shopping center Belle Étoile, Luxembourg

2. LET IT GO IN AUCHAN
for the shopping center Auchan, Luxembourg

more info on page 10 & 11 of the this PDF book:
https://drive.google.com/file/d/0B9MqpNDDFli0QW9XTDBxX0NEMTQ/view

Sample

CC-BY-NC: Babak Fakhamzadeh

Credits

Hosted by: hosted together with Rainy Days Festival, Luxembourg

APA style reference

Helbich, D. (2016). This whole world is wild at heart and weird on top (2 tracks). walk · listen · create. https://walklistencreate.org/walkingpiece/this-whole-world-is-wild-at-heart-and-weird-on-top-2-tracks/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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