Related
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
Land Mark (Foot Prints)
Land Mark (Foot Prints) documents activist collaborations in Vieques, where altered shoe soles stamped protest slogans onto former military land. The photographs capture fragile, temporary marks of dissent that question land use, power, and reclamation through everyday actions.
Related
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
Land Mark (Foot Prints)
Land Mark (Foot Prints) documents activist collaborations in Vieques, where altered shoe soles stamped protest slogans onto former military land. The photographs capture fragile, temporary marks of dissent that question land use, power, and reclamation through everyday actions.
To Walk is an art project by Richard Wentworth, and it consists of a “poster with photographs (typical of his work, that is, vaguely anonymous) from various places in England, and an invitation (on the reverse) to walk: ‘I walk, you walk, he walks, she walks, we walk, you (plural) walk, they walk…’. The poster was distributed in some cities as a genuine invitation to walk.”
— Jacopo Crivelli
These posters were produced for and distributed in the English towns of Charleston, Ramsgate, and Rochester, encouraging local audiences to reconsider and closely observe their urban and rural landscapes through the act of walking. (Walk Ways Catalog)
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