Related
Black Country Type
A video recording of the first walk · listen · cafe in 2024, exploring a cultural history of the Black Country (in the West Midlands of the UK) through the lens of walking artist and photographer Tom Hicks. Black Country Type is his ongoing photographic project. A series of images distributed via Instagram, in which he applies his unique
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
Related
Black Country Type
A video recording of the first walk · listen · cafe in 2024, exploring a cultural history of the Black Country (in the West Midlands of the UK) through the lens of walking artist and photographer Tom Hicks. Black Country Type is his ongoing photographic project. A series of images distributed via Instagram, in which he applies his unique
Still Visible After Gezi
In Still Visible After Gezi, Roberley Bell documents 16 Istanbul trees photographed in 2010 and revisited in 2015. The installation traces memory, survival, and urban change, using frames to show each tree’s past, present, and absence after the city’s transformations.
A series of twenty photographs captured along the high moor of Dartmoor National Park in England, Trail Markers documents a subjective journey through the historic landscape. Nancy Holt took the images in Trail Markers in the fall of 1969 while traveling through England with Robert Smithson. The camera angle is trained downwards, with each photograph featuring an orange mark created as a guide for hikers – inviting us to assume the visual perspective of a traveler in pursuit of our path. The orange markers highlight a human construct within a vast natural expanse. Trail Markers brings together Holt’s interest in systems, human movement through space and time, and to her fascination with the circle. Holt resists the panoramic, all-encompassing view, offering instead an experience of the landscape that is at once dynamic and myopic.
It’s very hypnotic these little orange dots, and it was interesting because they were very cleverly placed. Every time you got to a place where you might wonder where the next step might be there would be this orange dot. It’s structurally interesting, and gave wonderful continuity to my slides. It was an artwork that evolved, came up, I didn’t know I was going to be seeing it and then was seeing it and thought this was perfect. It was a gift. It was already there. My job was to get the perfect photo. (Nancy Holt)
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As found on Holt & Smithson Foundation’s website.

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