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2019

Transeuntis Mundi – Web Derive 01

Multiple locations
Multi

Walking as a Question

4 - 17 Jul, 2021 · 109 items

Sub-collection

artistic research

Sub-collection · 14 items

composition

Collection · 17 items
Sub-collection

immersive

Sub-collection · 67 items

Related

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Breath-stream

"Breath-stream" (2020) is a musical composition connecting human breath with local wind currents, where performers first identify wind direction via Earth Wind Map before aligning their breath rhythm to the wind. Recordings were collected from 13 different locations between early 2020, creating a platform that links individual internal experience with environmental awareness.

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Nocturne – Vivid Sydney

Wander away from the Light Walk on an immersive audio journey through the hidden streets and laneways of The Rocks. Let your ears lead the way in this one-of-a-kind experience, transforming familiar locales into a poetic landscape as you journey towards the night sky for a special star-gazing session. Created by one step at a time like

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The Lucky Trikes: Listening Pasts – Listening Futures

Storyteller Deirdre Harrison brings this storytelling chamber band that has been delighting intergenerational audiences since 2014. Dynamic, interactive readings of well-known and award-winning books are accompanied by improvised and composed music.

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Tales of Kirkstall Abbey

Tales of Kirkstall Abbey is a series of short conversations with different people who work at the abbey today. The guide provides an immersive experience of ten areas across the ruins, highlighting some of the fascinating stories from its past.

LMG1
Sub-collection

artistic research

Sub-collection · 14 items

composition

Collection · 17 items
Sub-collection

immersive

Sub-collection · 67 items

Related

Sound walk

Breath-stream

"Breath-stream" (2020) is a musical composition connecting human breath with local wind currents, where performers first identify wind direction via Earth Wind Map before aligning their breath rhythm to the wind. Recordings were collected from 13 different locations between early 2020, creating a platform that links individual internal experience with environmental awareness.

Akari Komura
walkingevent

Nocturne – Vivid Sydney

Wander away from the Light Walk on an immersive audio journey through the hidden streets and laneways of The Rocks. Let your ears lead the way in this one-of-a-kind experience, transforming familiar locales into a poetic landscape as you journey towards the night sky for a special star-gazing session. Created by one step at a time like

Julian Rickert
walkingevent

The Lucky Trikes: Listening Pasts – Listening Futures

Storyteller Deirdre Harrison brings this storytelling chamber band that has been delighting intergenerational audiences since 2014. Dynamic, interactive readings of well-known and award-winning books are accompanied by improvised and composed music.

wfaesec
Sound walk

Tales of Kirkstall Abbey

Tales of Kirkstall Abbey is a series of short conversations with different people who work at the abbey today. The guide provides an immersive experience of ten areas across the ruins, highlighting some of the fascinating stories from its past.

LMG1
The Transeuntis Mundi Project uses immersive 360° walkscape recordings to create a transmedial archive of cultural heritage from diverse global sites, currently representing four countries across four continents. Led by Brazilian artist Candida Borges and Colombian researcher Gabriel Mario Vélez, the project integrates technology, nomadic practices, and artistic research to produce virtual reality works, audiovisual compositions, and performances reflecting millennial human passage.

The Transeuntis Mundi Project proposes to capture the sound and visual memory of peoples, cultural expressions and places to artistically tell the story of the millennial passersby that have been crossing the world. The composition “Web Derive 01” currently portrays the diversity of 4 countries from 4 continents and generates a poetical/documental archive of human cultural heritage.
The expression Transeuntis Mundi comes from Latin, the lingua franca of the expansion of Western Culture. It personifies the human being who has been taking the adventure to discover and explore the world.
Its methodology employs Walkscapes recordings with immersive 360° technology. From this archive, it starts a process of transmedial composition: creation of virtual reality works, videos, photographs, sound art, musical compositions and performance, with the aim to immerse the observer/participant into an experience beyond their space and time. In short, it is a combination of knowledge, innovation and poetics, supported by the processes of artistic research and mediated by transmedial technology.

CREATORS | ARTISTS | RESEARCHERS

The authors of this project are artists and Scholars from Brazil and Colombia. The two researchers work integrating technology, nomadic practices and transculturalism into artististic practices, educative and social innovation projects. Borges is a Brazilian and international artist that develops this project as her PhD research in Composition. Dr. Gabriel Mario Vélez is a Colombian international artist, author, researcher.

CANDIDA BORGES
Associate Professor @ UNIRIO University (BR), Visiting Scholar @Columbia University (US), Fellow Researcher @ Antioquia University (CO), PhD Candidate @ Interdisciplinary Center for Computer Music Research/ Plymouth University (UK).

GABRIEL MARIO VÉLEZ
Dean and Professor @ School of Arts at Antioquia University (CO); Fellow @ MIT OpenDocLab (US); Post-Doc in Arts @ National University of Córdoba (ARG) and Doctor in Arts @ Complutense University of Madrid (ESP).

Credits

Hosted by: Walking as a Question

APA style reference

Mundi, T. (2019). Transeuntis Mundi – Web Derive 01. walk · listen · create. https://walklistencreate.org/walkingpiece/transeuntis-mundi-web-derive-01/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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