Related
Untitled (Pocket Drawings)
William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.
The Mourning After: Duration’s Wisdom II
Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.
Related
Untitled (Pocket Drawings)
William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.
The Mourning After: Duration’s Wisdom II
Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.
Using readily available materials such as styrofoam, carpet, and cast polyurethane, Stingel creates art based upon an underlying conceptual framework. A self-published manual of instructions, for example, describes his process of painting in an ironic, step-by-step account. The surfaces of his two-dimensional works are characteristically carved out, imprinted or indented, visibly evidencing the artist’s alteration of industrial matter.
Untitled consists of large pieces of white styrofoam measuring 16 x 16 feet and installed on the wall. Each is covered with a pattern of footprints produced(1) by the artist walking directly on the material. Like his earlier carpet pieces, the placement of these works directly on the wall references the physical presence of paintings.
Note:
(1) According to Ellen Mueller, Untitled was made by dipping boots in acetone, and then walking across blocks of styrofoam. The chemical ate away footprints, leaving a walking pattern.
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As published on Paula Cooper Gallery’s website.

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