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Walking piece 2000

Untitled

Untitled, 2000
New York, NY, USA

abstraction

Collection · 17 items

Conceptual

Collection · 13 items

painting

Collection · 28 items
Sub-collection

Wearables and Tools

Sub-collection · 37 items

Related

Walking piece

Untitled (Pocket Drawings)

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

William Anastasi
Walking piece

Stephen Long

Stephen Long’s 1,600-foot sculpture blends with the landscape, its red, yellow, and blue stripes shifting with natural light. Optical mixing and changing hues make movement and aerial perspectives essential to experiencing the work fully.

Patricia Johanson
Walking piece

Painting with his feet

Kazuo Shiraga transformed painting into performance, using his feet to kick, drag, and smear thick oil paint across floor-laid canvases. His bold, dynamic gestures capture bodily energy, dissolving the line between artist, movement, and material.

Kazuo Shiraga
Walking piece

The Mourning After: Duration’s Wisdom II

Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.

Erika Knerr

abstraction

Collection · 17 items

Conceptual

Collection · 13 items

painting

Collection · 28 items
Sub-collection

Wearables and Tools

Sub-collection · 37 items

Related

Walking piece

Untitled (Pocket Drawings)

William Anastasi’s Pocket Drawings are made by marking folded sheets in his pocket while walking, creating abstract traces of movement. Part of his “unsighted” practice, they explore chance, motion, and perception, translating physical experience into subtle visual forms.

William Anastasi
Walking piece

Stephen Long

Stephen Long’s 1,600-foot sculpture blends with the landscape, its red, yellow, and blue stripes shifting with natural light. Optical mixing and changing hues make movement and aerial perspectives essential to experiencing the work fully.

Patricia Johanson
Walking piece

Painting with his feet

Kazuo Shiraga transformed painting into performance, using his feet to kick, drag, and smear thick oil paint across floor-laid canvases. His bold, dynamic gestures capture bodily energy, dissolving the line between artist, movement, and material.

Kazuo Shiraga
Walking piece

The Mourning After: Duration’s Wisdom II

Duration’s Wisdom II is a meditative walking performance on a 20-ft canvas, depicting the final stage of mourning. Using circular, continuous movements, Erika Knerr processed grief, revisiting loss and reflection, performed in Zaragoza, Spain after the Madrid attacks.

Erika Knerr
Untitled (2000) features large wall-mounted styrofoam panels transformed into paintings through acetone-etched footprints.

Using readily available materials such as styrofoam, carpet, and cast polyurethane, Stingel creates art based upon an underlying conceptual framework. A self-published manual of instructions, for example, describes his process of painting in an ironic, step-by-step account. The surfaces of his two-dimensional works are characteristically carved out, imprinted or indented, visibly evidencing the artist’s alteration of industrial matter.

Untitled consists of large pieces of white styrofoam measuring 16 x 16 feet and installed on the wall. Each is covered with a pattern of footprints produced(1) by the artist walking directly on the material. Like his earlier carpet pieces, the placement of these works directly on the wall references the physical presence of paintings.

Note:
(1) According to Ellen Mueller, Untitled was made by dipping boots in acetone, and then walking across blocks of styrofoam. The chemical ate away footprints, leaving a walking pattern.

_
As published on Paula Cooper Gallery’s website.

APA style reference

Stingel, R. (2000). Untitled. walk · listen · create. https://walklistencreate.org/walkingpiece/untitled-2/
Submitted by: Dani Spadotto

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