Pride Square II is a series of 12 small drawings that attempt to capture the energy and personality of a person walking through a busy public square in Sydney's Inner West suburb of Newtown.

Michael x. Ryan’s Roadstain projects capture urban traces of stains on streets and sidewalks. Through large-scale wood reliefs and small drawings, he reimagines these marks, creating an archive of memory and place, sensitive to the built environment and human movement.

Footprints by Akira Kanayama is a walkable artwork of stenciled shoe prints on vinyl. Spectators walk on or alongside it, creating a “double walker” effect that links bodies, traces, and space, blending physical movement with imaginative engagement.

Walter De Maria’s 1969 Las Vegas Piece – mile-long bulldozer lines forming a square in the desert – was hard to find even then and is now barely visible. The work’s elusiveness was central to the experience, emphasizing remoteness and chance.

For Mile Long Drawing, De Maria drew two parallel chalk lines a mile long in the Mojave Desert, bringing Minimalism outdoors.

Untitled (2000) features large wall-mounted styrofoam panels transformed into paintings through acetone-etched footprints.

33 Days West is a series of photocopies from Foster Spragge’s original walking drawings. Each vertical strip represents a day’s walk, marking compass positions every 30 minutes, while the originals were mailed in nine envelopes from different stages of the walk.