This performance and publication formed an aspect of the Exhibition The Knowledge (a group exhibition of international artists curated by James Putnam) exhibited in the 54th Venice Biennale at Gervasuti Foundation. Brennan was specifically interested in the idea of the physical and psychological ‘view’ of an environment and how it might affect our knowledge of a place. This is especially pertinent to Venice when one considers the development of Venetian art. Canaletto was an exponent of what was to become known as ‘Veduta’ – a view painting (Plural: Vedute).

Brennan adopted a number of Canaletto images of St. Marks Square as way-markers to form the spine of a route to be walked by participants. The walker utilised a collection of view-cards (15x8x6” in all) each of which presents a different Canaletto (reproduction) view of the Palazzo. The reverse of each view-card carries a quotation that contrasts that of Caneletto’s image whilst keying into the City’s fictional and factual past. (e.g.the Camponile/bell tower is coupled with a Marinetti quote relating to the Futurist manifesto being launched from the site in 1910).

Vedute has been performed on several occasions by groups to tour St. Mark’s Square. This involves them reading the cards aloud. The periods of travel between each station enables conversational exchanges, attention to the built environment and everyday phenomena. In this way the artwork sucks the ‘everyday’ into its framework.

A performance at the opening of The Knowledge involved Brennan orchestrating participants to read from the cards aloud whilst being transported on a workman’s barge.

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According to the Sunderland Repository on the University of Sunderland website