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Walking piece 1982

Violin Phase from Fase: Four movements to the Music of Steve Reich

Violin Phase from Fase: Four movements to the Music of Steve Reich (1982)
Beursschouwburg, Rue Auguste Orts, Brussels, Belgium
16 minutes

Sub-collection

choreographer

Sub-collection · 9 items

piano

Collection · 4 items
Sub-collection

Steve Reich

Sub-collection · 1 items

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Aurora dos Campos

Aurora dos Campos is a set designer, artist and researcher. She holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Porto [FBAUP], having received a grant from the Foundation for Science and Technology [FCT] for her research entitled “Fictionalising Matter ∩ Materialising Fiction: The Artistic Practice of a Set Designer”. She is a research fellow at the Institute for Research in Art, Design and Society [I2ADS]. She holds a Master’s degree in Art and Design for Public Space from the Faculty of Fine Arts of the University of Porto, with the dissertation “Dramaturgies of the Everyday: Speculations on the Fictional Dimension of the Real” [FBAUP | 2019] and holds a Bachelor’s degree in Performing Arts with a specialisation in set design from the Federal University of the State of Rio de Janeiro [UNIRIO | 2006].

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Sub-collection

choreographer

Sub-collection · 9 items

piano

Collection · 4 items
Sub-collection

Steve Reich

Sub-collection · 1 items

Related

url

Aurora dos Campos

Aurora dos Campos is a set designer, artist and researcher. She holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Porto [FBAUP], having received a grant from the Foundation for Science and Technology [FCT] for her research entitled “Fictionalising Matter ∩ Materialising Fiction: The Artistic Practice of a Set Designer”. She is a research fellow at the Institute for Research in Art, Design and Society [I2ADS]. She holds a Master’s degree in Art and Design for Public Space from the Faculty of Fine Arts of the University of Porto, with the dissertation “Dramaturgies of the Everyday: Speculations on the Fictional Dimension of the Real” [FBAUP | 2019] and holds a Bachelor’s degree in Performing Arts with a specialisation in set design from the Federal University of the State of Rio de Janeiro [UNIRIO | 2006].

Walking piece

The Idle walk of the Year

For the Idle Walk of the Year, the Berserk group carried objects from the Ethnological Museum to Amalienborg Square as slowly as possible, while Eric polished the Palace square with petroleum, continuing the museum’s long-standing floor-care tradition.

Eric Andersen
Walking piece

The Green Line

In the summer of 1995 I performed a walk with a leaking can of blue paint in the city of São Paulo. The walk was then read as a poetic gesture of sorts. In June 2004, I re-enacted that same performance with a leaking can of green paint by tracing a line following the portion of the ‘Green Line’ that runs through the municipality of Jerusalem.

Francis Alÿs
Walking piece

Lost in Jüdischer Friedhof Weißensee

Beginning with the daily choice of walking or not walking to and from the largest intact Jewish cemetery in postwar Europe, the project mediates separation between experience inside and outside the burial grounds’ walls over a sustained six months.

Robert Yerachmiel Sniderman
Violin Phase is one of the four acts of "Fase, Four Movements to the Music of Steve Reich", making use of simple movements performed in a complex pattern. It has been performed many times since it's debut in 1982. In 2011, at the MoMa, part of the exhibition "On Line: Drawing Through the Twentieth Century", it was performed over a sand floor, making the geometry of the choreography visible through the drawing pattern created by the movements.

Violin Phase is part of “Fase, Four Movements to the Music of Steve Reich”, choreographer Anne Teresa De Keersmaeker’s very first performance, premiered in 1982. Fase comprises three duets and one solo, choreographed to four repetitive compositions by the American minimalist Steve Reich. De Keersmaeker uses the structure of Reich’s music to develop an independent movement idiom that doesn’t merely illustrate the music but also adds a new dimension to it. Both the music and the dance start from the principle of phase shifting through tiny variations: movements that are initially perfectly synchronous gradually start slipping and sliding, resulting in an ingenious play of continuously changing forms and patterns.

“The movements, most of them enacted in unison, take place below shoulder level and unfold in accordance with a determinate logic. It is twist and walk. So it’s not a virtuoso thing but the synchronicity between the two partners must be mechanically precise. In all modesty I believe that the entire piece is an exceptional combination of simplicity and complexity. (…) in Fase this ‘childlike’ dance is tied to a rigid sense of spatial organization. Yet it does follow geometrical patterns which are not all that complex either. Parallel lateral lines in Piano Phase. Movements around an axis in Come Out. Circles and various straight lines in Violin Phase. Diagonals in Clapping Music.” Michaël Bellon in : Anne Teresa De Keersmaeker Revisits The Debut: Back to the First Fase

Credits

Choreography
Anne Teresa De Keersmaeker

Music
Steve Reich
-Violin Phase (1967)

Production
1982-Schaamte (Brussels), Avila (Brussels)

Premiere
18/03/1982, Beursschouwburg (Brussels)

APA style reference

De Keersmaeker, A. (1982). Violin Phase from Fase: Four movements to the Music of Steve Reich. walk · listen · create. https://walklistencreate.org/walkingpiece/violin-phase-from-fase-four-movements-to-the-music-of-steve-reich/
Submitted by: Ynaie Dawson

sog

To walk slowly and in a leisurely fashion, as in “The old man was just soggin’ along.” from the Dictionary of Newfoundland English (University of Toronto Press, 1982).

Added by Marlene Creates
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