Related
Seat Belt, Three Points
Seat Belt, Three Points invites viewers to strap into a seat belt attached to three stations, creating a physical interaction with the artwork. Baden’s works explored kinesthetic experiences and neuromuscular memory, altering perceptions of balance and sensory imprint.
Shoes for Departure
Shoes for Departure is part of Marina Abramović’s Transitional Objects series, exploring the use of crystals and minerals in interactive objects as emotional or symbolic transitions. The work connects walking, departure, and psychological journey, reflecting her focus on the body’s limits, transformation, and personal rituals.
Related
Seat Belt, Three Points
Seat Belt, Three Points invites viewers to strap into a seat belt attached to three stations, creating a physical interaction with the artwork. Baden’s works explored kinesthetic experiences and neuromuscular memory, altering perceptions of balance and sensory imprint.
Shoes for Departure
Shoes for Departure is part of Marina Abramović’s Transitional Objects series, exploring the use of crystals and minerals in interactive objects as emotional or symbolic transitions. The work connects walking, departure, and psychological journey, reflecting her focus on the body’s limits, transformation, and personal rituals.
Walk 2 took place in March 2010 on Margate beach and involved approximately 200 participants invited through artconnexion. The performance consisted of walking atop the low wall encircling the Marine Bathing Pool, a seawater basin measuring 100 × 100 metres. For 90 minutes, participants moved in single file, maintaining an exact one-metre distance from one another and observing complete silence. Very quickly, participants entered what was described as the “ethic of the walk,” a shared commitment in which the success of the work depended on individual responsibility and discipline. Exposed to wind, cold, and rain, the walk demanded sustained physical and mental effort, confronting the body with the elements while fostering heightened perception. As the rhythm of walking settled in, many described entering a trance-like, meditative state in which bodily sensation, environment, and collective movement merged – extending Hamish Fulton’s practice of walking as art into an intense, embodied, and shared experience.
_
Based on information provided by the Artconnexion website.
Credits
Commissioned by Turner Contemporary.

You must be logged in to post a comment.