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2020

Walk Around 3rd Precinct

Image 1
Minneapolis 3rd Police Precinct, Minnehaha Avenue, Minneapolis, MN, USA

Meditation

Collection · 26 items
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Power Dynamics

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racism

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Scrambling for maps

March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT)   Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the

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WALC Map Scramble 3 – documenting walking art with maps and mapping

Walking artist presenters in this video: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras and Petra Johnson The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau

Tamsin Grainger Hannah Stageman +4
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WALC Map Scramble 1 – documenting walking art with maps and mapping

Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum

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Meditation

Collection · 26 items
Sub-collection

Power Dynamics

Sub-collection · 35 items

racism

Collection · 4 items

Related

Walking piece

BorderXing Guide

BorderXing Guide documents the attempts of Heath Bunting and others to cross European borders without official documentation. Hosted on irational.org, the project offers practical guides, narratives, and critiques of border control and mobility.

Heath Bunting Kayle Brandon
post

Scrambling for maps

March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT)   Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the

Andrew Stuck David Haley +14
video

WALC Map Scramble 3 – documenting walking art with maps and mapping

Walking artist presenters in this video: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras and Petra Johnson The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau

Tamsin Grainger Hannah Stageman +4
video

WALC Map Scramble 1 – documenting walking art with maps and mapping

Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum

David Haley Lucy Furlong +3
Walking piece
The artwork documents John Schuerman’s 20-mile walk around Minneapolis’s 3rd Precinct after George Floyd’s murder, pairing images with reflective text to create a meditative, multi-layered archive of the community’s turmoil.

According to Ellen Mueller, John Schuerman is a Minneapolis-based artist and curator who took a walk around the Minneapolis 3rd Police Precinct in mid-July 2020, just a few months after the murder of George Floyd. Schuerman posted a description and images from his walk on Facebook, creating a multi-faceted archive of the experience.

“A few days ago, I set out to walk the perimeter of the 3rd precinct in Minneapolis. After 20+ miles and 24 hrs I arrived back home, maybe wiser. It was a walking meditation on our community’s pain and roiling. I trace for you here a small part of my motional and emotional trip. The text below corresponds to the images in order as they happened.”

Image 1:
The Cauldron, arsonist ashes and ink on paper. The 3rd precinct contains the George Floyd murder site, ground zero for the mass-property destruction (Lake and Minnehaha), the two largest homeless encampments (Powderhorn, Minnehaha) and the soaring crime rates, free food stations, protests, street art, and more.

Image 2:
Map of my walk. (which encircled all my other recent walks)

Image 3:
The Edgelands -Miles and miles of walls, highways and edgeland culture.

Image 4:
My Darkness, arsonist ashes on paper. Anxieties about water -due to COVID all public sources of water are closed, so I had to filter water from lakes and streams. Harshness of my surroundings, unnerving parts of the walk (places where I felt viewed with suspicion). Recalling my concerns and snippets from other walks. The vigilantes: “We don’t need luck, we got guns.” The homeless men: “Did so and so ever make it back?” “NO. he OD’d at the Center”. The Police Officer: “I wish I could help you but I can’t”, rape and gun violence in the encampments… I ask myself, ‘Why am I out here?’ it’s a dark feeling.

Image 5:
Camp, next to Ford Parkway. Former homeless campsite, they probably moved to the Minnehaha encampment I walked through. Careful. Sweaty, Anxious. Fireworks rain through the trees as I turn in. I hear gunshots as I wake at 4:30 am. Pack up, glad to be through the night.

Image 6:
Beauty. The great river bluffs.

_
For more information, check Ellen Mueller's website.

APA style reference

Schuerman, J. (2020). Walk Around 3rd Precinct. walk · listen · create. https://walklistencreate.org/walkingpiece/walk-around-3rd-precinct/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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