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1924

Walk from Blois to Romorantin

Map
Blois, France

Chance

Collection · 19 items

flaneur

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Sub-collection

long distance walking

Sub-collection · 32 items

surrealism

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Chance

Collection · 19 items

flaneur

Collection · 16 items
Sub-collection

long distance walking

Sub-collection · 32 items

surrealism

Collection · 6 items

Related

book

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A Mis-Guide set free

The walking artist collective Wrights & Sites will mark the 20th anniversary of the launch of their most well-encountered work, A Mis-Guide To Anywhere, by releasing a free PDF copy of the full publication into the wild from Wednesday 8 April. A Mis-Guide To Anywhere, was launched at London’s Institute of Contemporary Arts in April 2006.

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Gulf Coast State art professor walks 9,514 miles for girls’ education in India

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In May 1924, Aragon, Breton, Morise, and Vitrac walked from Blois to Romorantin in a spontaneous journey. This “four-person ramble” explored the boundary between conscious and dreamed life, inspiring Breton’s First Surrealist Manifesto.

By chance along the paths.

In early May 1924, Aragon, Breton, Morise, and Vitrac undertook a walking travel-experiment from Blois to the Sologne. They went to Blois, a town chosen at random on the map, and set out on foot for the Sologne. They stayed briefly in Cour-Cheverny, passed through Romorantin on the 5th, Argent on the 7th, Moret-sur-Loing on the 9th, returned to Cour-Cheverny on the 12th, and were in Romorantin again on the 13th and 14th. They then returned via Gien, Montargis, and Moret-sur-Loing, abandoning the walk and thus being forced to end the experiment.”

The group decided to leave Paris and take a train to Blois, then continue on foot to Romorantin. Breton recalled what he called a “four-person ramble”, talking and walking together for several consecutive days as a form of “exploration to the limits between conscious life and dreamed life.” Upon returning, he wrote the introduction to Poisson Soluble, which later became the First Surrealist Manifesto, introducing the first definition of Surrealism:

Pure psychic automatism by which one proposes to express, either verbally, in writing, or by any other means, the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason, outside of any aesthetic or moral concern.”

The journey, undertaken without purpose or goal, became an experience of automatic writing in real space, a literary-rural walk imprinted directly onto the map of the mental territory.

_
Sources: andrebreton.fr and Francesco Careri, Walkscapes.

Credits

The walk was undertaken by André Breton, Louis Aragon, Max Morise, and Roger Vitrac.

APA style reference

Breton, A. (1924). Walk from Blois to Romorantin. walk · listen · create. https://walklistencreate.org/walkingpiece/walk-from-blois-to-romorantin/
Submitted by: Dani Spadotto

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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