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WALC Confluence 10 Walking with a Cello and other stories
Do you want to know how our 2025 adventure went? How we set off from Badalona and crossed beaches, mountains, and rivers on our way to the Pyrenees — and climbed the Taga with a cello? Do you want to hear about our shared library, lovingly cared for by an artist? Marc Caellas, Christina Schulz
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• +1 Walk Notations
Walk Notations brings together traces emerging from Dissident Paths: Walking Together as a Method, a series of artistic walks across Berlin in 2025. Moving between artistic practices, curatorial conversations, and reflections, the book approaches walking as a method for being together in public space. Some contributions revisit specific sites or gestures while others move further afield, driven
Map Scramble 3
The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting
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+4 Related
WALC Confluence 10 Walking with a Cello and other stories
Do you want to know how our 2025 adventure went? How we set off from Badalona and crossed beaches, mountains, and rivers on our way to the Pyrenees — and climbed the Taga with a cello? Do you want to hear about our shared library, lovingly cared for by an artist? Marc Caellas, Christina Schulz
• • +1 Walk Notations
Walk Notations brings together traces emerging from Dissident Paths: Walking Together as a Method, a series of artistic walks across Berlin in 2025. Moving between artistic practices, curatorial conversations, and reflections, the book approaches walking as a method for being together in public space. Some contributions revisit specific sites or gestures while others move further afield, driven
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The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting
• +4 A walk along a straight line of our own making… using an OS map with a line drawn on it from our croft house in Brindister, West Burrafirth to the Ayre of Whalwick, a small remote bay with what was once ‘a dwellinghouse with outhouses and a few acres of land attached’.
Walking a counter-intuitive straight line in the heather, bog, and rock-strewn landscape around Brindister, with its many lochs and streams, requires a deliberate effort to ignore the desire paths that we would usually take. While in Shetland, liberated from the restrictions imposed by English ‘rights of ways’, we can also walk where we want, the stricture of our route demands constant referral to the OS map and keeping to our straight line. It also involves a lot of discussion (which, in hindsight, we really should have recorded), as we scan the landscape closely for any landmarks that might assist us to keep in the right direction, and lots of pointing.
Credits
Janette Kerr, Steve Poole
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