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2010

Walking Alone and Together

Walking Alone and Together
Gabrovo, Bulgaria
120 minutes
Free

Escape

Collection · 1 items

Walking Together

Collection · 16 items

workshops

Collection · 20 items

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Scrambling for maps

March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT)   Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the

Andrew Stuck David Haley +14
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WALC Map Scramble 3 – documenting walking art with maps and mapping

Walking artist presenters in this video: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras and Petra Johnson The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau

Tamsin Grainger Hannah Stageman +4
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WALC Map Scramble 1 – documenting walking art with maps and mapping

Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum

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WALC Online Course Session 9 – Art of Mapping and Counter-Mapping

Focusing on maps as artistic and cultural tools, the session analyses how mapping and counter-mapping shape perception, experience and power.

Geert Vermeire

Escape

Collection · 1 items

Walking Together

Collection · 16 items

workshops

Collection · 20 items

Related

post

Scrambling for maps

March 2026 we are holding 3 online Map Scrambles, in which artists will be discussing when and why they use maps or mapping to document their walking art. Map Scramble 1 (Monday 23 7pm GMT)   Map Scramble 2 (Wednesday 25 7pm GMT) Map Scramble 3 (Thursday 26 7pm GMT) Each events part of the

Andrew Stuck David Haley +14
video

WALC Map Scramble 3 – documenting walking art with maps and mapping

Walking artist presenters in this video: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarras and Petra Johnson The third of an initial series of three Map Scrambles in which walking artists share how each of them documents walking art, specifically be adapting, modifying or creating their own maps. Early last year, Clara Gari of Nau

Tamsin Grainger Hannah Stageman +4
video

WALC Map Scramble 1 – documenting walking art with maps and mapping

Map Scramble 1 – presenters David Haley (UK), Lucy Furlong (UK), Janette Kerr (UK) and Emily Artinian (US) For a Summary of this meeting please see the post “Scrambling for maps“. There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum

David Haley Lucy Furlong +3
walkingevent

WALC Online Course Session 9 – Art of Mapping and Counter-Mapping

Focusing on maps as artistic and cultural tools, the session analyses how mapping and counter-mapping shape perception, experience and power.

Geert Vermeire
Walking piece
No longer available
Walking Alone and Together made use of sounds (including vocalizations and various languages) and collaborative guided walking to traverse an unfamiliar outdoor terrain, Working in pairs, small groups and then one large group, participants worked creatively to make their way across the hilly meadow outside Gabrovo.

In August 2010 Barbara Lounder presented an art project in the form of a workshop entitled Walking Alone and Together at the summer school for the international cultural change organization Cultura21, in Gabrovo, eastern Bulgaria. Cultura21 brought together 30 artists, activists and scholars from across the globe for an intense week of discussions and workshops on social change, equity and sustainability. Walking was premised as the organizing principle, with its associations with movement, migration and building connections.

Barbara’s project incorporated hand-drawn silk escape maps made to be used as eyecovers, walking sticks, movement and voice in an exploration of connection and cooperation. Walking Alone and Together took place in a park on the forested edge of the town of Gabrovo. The escape map/eyecovers were prepared ahead of time, and had simplified maps of Gabrovo drawn on them. Street names and landmarks were omitted from the maps.
Participants prepared their walking sticks, fitting them with bells and other accessories.

A video excerpt of Walking Alone and Together can be seen here.

Credits

Barbara Lounder, artist
Cultura21 participants
Video by Sacha Kagan

APA style reference

Lounder, B. (2010). Walking Alone and Together. walk · listen · create. https://walklistencreate.org/walkingpiece/walking-alone-and-together/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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