Related
Shorelines
The shoreline of Swanage Bay, part of Dorset’s Jurassic Coast UNESCO World Heritage Site, features unique geology including listric fault lines and fossil-rich strata such as Portland stone and Wealden clay. Observing this landscape with his geologist father, the author reflects on both the ancient history embedded in the rocks and the contemporary sight of empty cruise ships moored nearby, highlighting the shoreline’s role as a liminal space between land, sea, and time.
Sincroni-cidades – Um percurso partilhado em confinamento
O artigo analisa o projeto artístico Sincroni-cidades, desenvolvido pela equipa TEPe durante o confinamento por COVID-19, que explorou a experiência de percorrer a cidade a partir da reclusão doméstica através de registros fonográficos, textuais e fotográficos síncronos. O trabalho envolveu participantes geograficamente dispersos em dois continentes e é contextualizado na trilogia Sincronicidades, Diacroni-cidades e Cumpli-cidades, utilizando a arte como metodologia de investigação qualitativa.
Related
Shorelines
The shoreline of Swanage Bay, part of Dorset’s Jurassic Coast UNESCO World Heritage Site, features unique geology including listric fault lines and fossil-rich strata such as Portland stone and Wealden clay. Observing this landscape with his geologist father, the author reflects on both the ancient history embedded in the rocks and the contemporary sight of empty cruise ships moored nearby, highlighting the shoreline’s role as a liminal space between land, sea, and time.
Sincroni-cidades – Um percurso partilhado em confinamento
O artigo analisa o projeto artístico Sincroni-cidades, desenvolvido pela equipa TEPe durante o confinamento por COVID-19, que explorou a experiência de percorrer a cidade a partir da reclusão doméstica através de registros fonográficos, textuais e fotográficos síncronos. O trabalho envolveu participantes geograficamente dispersos em dois continentes e é contextualizado na trilogia Sincronicidades, Diacroni-cidades e Cumpli-cidades, utilizando a arte como metodologia de investigação qualitativa.
This work highlights the ecological issue of the covid pandemic and raises questions of the embodied act of walking and the nature of borders both real and imaginary. In response to the three periods of “stay home” restrictions of the Covid-19 pandemic I walked into existence an imaginary island. For the first lockdown I walked from my house, for 20 minutes in any and all directions; I mapped my route and recorded my walking (sound, poetry and line). My walking makes Contención Island; I walk until easing begins – 42 days. In the second lockdown I walk the shoreline of the island and, in so doing, to also mark the days of lockdown. With a compass in the middle of the island, I measured 28 equal angles and, where each cuts the island rim produces 28 stretches of coastline – all of different lengths. I walk one each day and, over 28 days, build a walk around the entire island; the order in which I walk the sections is determined by chance – building an island across time. In the third lockdown I walked to places selected using chance operations and record their sounds for randomly determined periods of time.
The presentation will discuss the question of the creation of an island in the middle of a city, the symbolism of ‘the island’ in my walking practice and how this related to ongoing issues of the Anthropocene. I will also discuss my use of walking as an act of response to the physical and political constraints of the pandemic.
The work that this audio paper is based on is available to listen to in full at
https://martinpeccles.com/other-sound-works/contencion-island/
For lockdown 3 there is also an audio map on radio aporee https://aporee.org/maps/projects/soundsofcontencionisland
Walking Contención Island
CC-BY-NC: Martin Eccles
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