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1964

Walking Piece

Score

Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Fluxus

Collection · 10 items

Nature

1 sub-collections · 164 items

Scores

Collection · 36 items

Related

Walking piece

Stand Erect

Benjamin Patterson’s Stand Erect (1961) exemplifies walking instructions as art, focusing on movement patterns. The participant becomes part of the artwork, while Patterson guides and controls the body, mediating between the actor and their physicality.

Benjamin Patterson
Walking piece

Extreme Slow Walk

Extreme Slow Walk is an exercise where participants move as slowly as possible, shifting weight with awareness. By disrupting habitual rhythm, it sharpens perception of breath, balance, and subtle bodily sensations.

Pauline Oliveros
Walking piece

Theatre Music

Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.

Takehisa Kosugi
Sound walk

4th Finale

4th Finale featured Lynghøj School Brass Band performing self-chosen, evolving sounds while gradually leaving Stændertorvet. The audience followed the dispersing orchestra in procession toward the Viking Ship Museum.

Philip Corner
Sub-collection

Embodiment or Mind Body Connection

Sub-collection · 28 items

Fluxus

Collection · 10 items

Nature

1 sub-collections · 164 items

Scores

Collection · 36 items

Related

Walking piece

Stand Erect

Benjamin Patterson’s Stand Erect (1961) exemplifies walking instructions as art, focusing on movement patterns. The participant becomes part of the artwork, while Patterson guides and controls the body, mediating between the actor and their physicality.

Benjamin Patterson
Walking piece

Extreme Slow Walk

Extreme Slow Walk is an exercise where participants move as slowly as possible, shifting weight with awareness. By disrupting habitual rhythm, it sharpens perception of breath, balance, and subtle bodily sensations.

Pauline Oliveros
Walking piece

Theatre Music

Theatre Music: Keep Walking Intently (1964) by Takehisa Kosugi, a Fluxus score, transforms the simple act of walking into focused, durational performance, highlighting individual and collective endurance while framing everyday movement as theatrical and meaningful.

Takehisa Kosugi
Sound walk

4th Finale

4th Finale featured Lynghøj School Brass Band performing self-chosen, evolving sounds while gradually leaving Stændertorvet. The audience followed the dispersing orchestra in procession toward the Viking Ship Museum.

Philip Corner
Yoko Ono’s Walking Piece (Grapefruit, 1964) turns walking into art: follow another’s footsteps silently across varied terrains, fostering mindfulness, bodily awareness, and making the enactment of the instruction the artwork itself.

Yoko Ono’s Walking Piece is a conceptual instruction from her book Grapefruit (1964) that transforms the simple act of walking into a reflective, participatory artistic gesture.

In this piece, Ono invites participants to walk in the footsteps of the person in front, across various terrains – on ground, in mud, in snow, on ice, and in water – while striving not to make sounds. The instruction turns ordinary movement into a mindful practice, heightening awareness of one’s body, environment, and the traces left behind. By emphasizing experience and engagement over material outcome, Walking Piece exemplifies Ono’s proposition that the idea and enactment of an artwork – activated through individual participation – is the artwork itself.

_
Source: Dick, Katherine. “Beyond Walking Alone,” in SMITHS Magazine, 2022.

APA style reference

Ono, Y. (1964). Walking Piece. walk · listen · create. https://walklistencreate.org/walkingpiece/walking-piece-2/
Submitted by: Dani Spadotto

driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

Added by R and F Mo
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