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Art on the Pilgrim Path
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Related
Art on the Pilgrim Path
Artists working along routes and in landscapes Art has been entwined with pilgrimage from the outset, in iconography and relics, object attribution and travel souvenirs, music and folklore, and more recently in walking performances. Does a pilgrimage route become an open-air studio exhibiting the pilgrim experience? Presenters included: Professor Kathryn Barush author of Imaging Pilgrimage: Art as Embodied
On Pilgrimage 1 – Pilgrimage Today
Working alongside the World Trails Network (WTN), a community of trail management and tourism providers, that include many traditional pilgrimage routes and trails that now accommodate secular pilgrims, we are running a series of online events to discuss the roles walking art plays in pilgrimage and vice versa. Our guests on this opening event include Professor Kathryn Barush author
Powers of Pilgrimage: Religion in a World of Movement
While pilgrimage often focuses on sacred shrines, it can also occur in apparently mundane places. Indeed, not everyone has the resources or mobility to take part in religiously inspired movement to foreign lands, and some find meaning in religious movement closer to home and outside of officially sanctioned practices. This book argues that we must question
It’s a walk through a historic Egyptian Cementary towards a Maqam (Shrine) of a Sufi Saint Ibn Ata’ Allah al-Iskandari, two artists took this walk, for an hour and half, reading parts from Sufi’s book Al-Hikam al-‘Ata`iyyah.
Maqam in Arabic has various definitions among them, a shrine, built on a site that is associated with a religious figure or saint, mainly the place where a saint resides. Sufis and common people visits Maqams as it can be a source of peace for them, it’s believed that these saints had supernatural powers (Karamat) and divine blessings granted by god, it’s a place where angels gather. People visits these Maqams to receive divine blessing (barakah). During the walk towards the Maqam of Ibn Ata’ Allah al-Iskandari, Eman Abdou and Hatice Kauffman read parts from Ibn Ata’ Allah al-Iskandari’s famous symbolic book and moved quietly through the spiritual cemetery.
Credits
Eman Abdou & Hatice Kaufmann

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