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2011

WalkSpace: Beirut-Venice

Untitled
Multiple locations

drift

Collection · 23 items

Spectacle

Collection · 9 items
Sub-collection

Wearables and Tools

Sub-collection · 36 items

Related

post

A Mis-Guide set free

The walking artist collective Wrights & Sites will mark the 20th anniversary of the launch of their most well-encountered work, A Mis-Guide To Anywhere, by releasing a free PDF copy of the full publication into the wild from Wednesday 8 April. A Mis-Guide To Anywhere, was launched at London’s Institute of Contemporary Arts in April 2006.

Wrights & Sites
Walking piece

Head Sculpture

Head Sculpture, a performance by Efrat Natan, used a T-shaped headpiece worn while walking in Tel Aviv after Independence Day to restrict vision and draw attention, questioning belonging, conformity, and militarized urban space through bodily limitation.

Efrat Natan
Walking piece

Walking the Cabbage

Walking the Cabbage (2000–2025) by Han Bing is a social intervention in which he walks a Chinese cabbage on a leash through public spaces, using absurdist performance to question social norms, material values, and contemporary Chinese life.

Han Bing
Walking piece

Sight Unseen: An Un-camouflaging for Guildwood

Collaborative project where youth created ghillie suits to explore visibility, belonging, and connections to nature, culminating in a site-specific “un-camouflaging” performance in Guildwood Park with support from the Ontario Arts Council.

Alana Bartol

drift

Collection · 23 items

Spectacle

Collection · 9 items
Sub-collection

Wearables and Tools

Sub-collection · 36 items

Related

post

A Mis-Guide set free

The walking artist collective Wrights & Sites will mark the 20th anniversary of the launch of their most well-encountered work, A Mis-Guide To Anywhere, by releasing a free PDF copy of the full publication into the wild from Wednesday 8 April. A Mis-Guide To Anywhere, was launched at London’s Institute of Contemporary Arts in April 2006.

Wrights & Sites
Walking piece

Head Sculpture

Head Sculpture, a performance by Efrat Natan, used a T-shaped headpiece worn while walking in Tel Aviv after Independence Day to restrict vision and draw attention, questioning belonging, conformity, and militarized urban space through bodily limitation.

Efrat Natan
Walking piece

Walking the Cabbage

Walking the Cabbage (2000–2025) by Han Bing is a social intervention in which he walks a Chinese cabbage on a leash through public spaces, using absurdist performance to question social norms, material values, and contemporary Chinese life.

Han Bing
Walking piece

Sight Unseen: An Un-camouflaging for Guildwood

Collaborative project where youth created ghillie suits to explore visibility, belonging, and connections to nature, culminating in a site-specific “un-camouflaging” performance in Guildwood Park with support from the Ontario Arts Council.

Alana Bartol
Walking piece
WalkSpace: Beirut-Venice is a participatory artwork connecting simultaneous dérives in Beirut and Venice. Groups in each city guide each other in real time via video, maps, and tweets, creating an evolving relational space shaped by exploration, interaction, and chance.

According to Conor McGarrigle on his website:

“As part of THESTATEOFMIND for the Lebanese Pavilion at the Venice Biennale of Art 2011. WalkSpace: Beirut-Venice invites the participant on a drift through Venice guided from Beirut and in Beirut guided from Venice.

The work involves two simultaneous dérives (drifts) through the historic cities of Beirut and Venice, connected in real time to each other and to the world. Two interconnected groups of participants will walk in each city, each receiving instruction and guidance from the other as they wander, get lost and explore the psychogeographical ambience of the city.

The progress of each group will be broadcast as a live video stream via Bambuser, tracked in realtime on a map with Google latitude and tweeted with followers having the option of giving instructions via twitter.

The object is not to create a finite discrete work but to create a peripatetic relational space which can evolve and respond to the situation, the desires of its participants and serendipity, with the work being created through the actions of its participants. The space is furthermore overlaid with a hybrid, networked space connecting both cities and augmenting each space with the absent presence of the other.

Working from a changing set of basic instructions such as ‘describe what you see’, ‘follow that person’, ‘take the next left and then the first right’ or the more loaded ‘take me to the heart of the city’ the two groups will walk in tandem each guiding the other, walking in Beirut as if in Venice and Venice as if in Beirut.

The project draws on early dérives carried out by the Situationists in Amsterdam and Strasbourg which connected groups in different parts of the cities with walkie talkies and Ralph Rumney’s 1957 Psychogeographical Map of Venice.

_
Participate:
We invite the audience to follow us in real time using Bambuser for video, Google latitude for locations and with geotagged tweets. We invited those not in Venice or Beirut to follow us virtually with the following services.Latitude: We will be broadcasting out location in real time during the event using Google Latitude. To track the event first sign up for Latitude and send a request to share location to allegora.venice[AT]gmail.com, or alternatively email allegora.venice[AT]gmail.com and we will share our location with you. You do not need to share your location to follow us.

Bambuser: To view our live video feed simply visit bambuser.com/channel/stateofmind”

Credits

The work was exhibited at:
- Lebanese Pavilion at the Venice Biennale of Art, 2011.

APA style reference

McGarrigle, C. (2011). WalkSpace: Beirut-Venice. walk · listen · create. https://walklistencreate.org/walkingpiece/walkspace-beirut-venice/
Submitted by: Dani Spadotto

slew

A short walk or stroll, as in “I’ll take a slew around the harbour before going to bed.” from the Dictionary of Newfoundland English (University of Toronto Press, 1982).

Added by Marlene Creates
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