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2012

We all walk out in the end

Installation view in the entrance hall at the Gallery of Modern Art, Brisbane
Gallery of Modern Arts, Redland Bay Brisbane, QLD, Australia

architecture

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Walking piece
We All Walk Out in the End is a large yellow wall painting with reversed white lettering that transforms movement through space into participation, linking walking, time, and perception of place.

Originally designed for the huge entrance wall in Brisbane’s Gallery of Modern Art in 2012, Agatha Gothe-Snape’s large-scale wall painting We All Walk Out in the End is a striking intervention that transforms the architecture it inhabits. Dominating the rear wall of the house, the work stretches across a vibrant yellow ground, its title emblazoned from right to left in reversed, classically styled white lettering of unusual scale (artlink.com.au). This bold visual presence turns the simple act of moving through the space into unwitting participation in an ongoing domestic performance (boulevard.co).

As stated in the catalogue From Here to There: Australian Art and Walking: “Walking connects our body to time and space whilst giving us time to survey place. Walking moves us surely, from one place to another. There is no guarantee, however, that the room we walk out of is any different to the one we walk into.”

Credits

Collection: Amanda Love
Courtesy: The Commercial
Site-specific work commissioned for the entrance hall of the Gallery of Modern Art, Brisbane, in 2012.

APA style reference

Gothe-Snape, A. (2012). We all walk out in the end. walk · listen · create. https://walklistencreate.org/walkingpiece/we-all-walk-out-in-the-end/
Submitted by: Dani Spadotto

fat man’s folly

A narrow gap in a drystone wall or rock face ie one a fat man would be foolish to try to get through. A number exist in the Lake District bearing that specific name but it is also a general term in Cumbria for any narrow gap.

Added by Alan Cleaver
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