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2003

Who Can Erase The Traces?

Untitled
Guatemala City, Guatemala

Sub-collection

Activism or Protest

Sub-collection · 54 items
Sub-collection

Power Dynamics

Sub-collection · 35 items

Trail

11 sub-collections · 88 items

Related

Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Walking piece

Missa

MISSA presents 100 pairs of army boots suspended within a sparse grid. The work creates an unsettling silence, inviting viewers to reflect on war’s invisible consequences, the tension between absence and presence, and the quiet mechanisms of obedience and loss.

Dominique Blain
Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

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Marching for Justice in the Fields

In 1966, farmworkers marched 300 miles from Delano to Sacramento to protest low wages, unsafe working conditions, and the denial of union rights. Their action drew national support, pressured growers and officials, and helped secure the first farmworker union contract.

Cesar Chavez
Sub-collection

Activism or Protest

Sub-collection · 54 items
Sub-collection

Power Dynamics

Sub-collection · 35 items

Trail

11 sub-collections · 88 items

Related

Walking piece

The Journey of Nishiyuu

In 2013, six Cree youth from Whapmagoostui walked 1,600 km to Ottawa as part of the Idle No More movement to support Chief Theresa Spence and Indigenous rights. Joined by others along the way, they were celebrated as symbols of Indigenous resilience and unity.

James Bay Cree
Walking piece

Missa

MISSA presents 100 pairs of army boots suspended within a sparse grid. The work creates an unsettling silence, inviting viewers to reflect on war’s invisible consequences, the tension between absence and presence, and the quiet mechanisms of obedience and loss.

Dominique Blain
Walking piece

Vietnamese Women

In Vietnamese Women, Spero repeats an image of a Vietnamese woman fleeing the 1968 civilian massacre, taken from the news. Figures are layered, smudged, and collaged to convey movement, with the cigarette in her mouth symbolizing survival.

Nancy Spero
Walking piece

Marching for Justice in the Fields

In 1966, farmworkers marched 300 miles from Delano to Sacramento to protest low wages, unsafe working conditions, and the denial of union rights. Their action drew national support, pressured growers and officials, and helped secure the first farmworker union contract.

Cesar Chavez
Walking piece
Who Can Erase The Traces? is a long walk from Guatemala’s Constitutional Court to the National Palace, leaving footsteps in human blood to honor armed conflict victims and protest Efraín Ríos Montt’s presidential candidacy.

Who Can Erase The Traces? is a long walk from the Constitutional Court to the National Palace of Guatemala: leaving a trail of footsteps made with human blood. I memory of the victims of armed conflict in Guatemala and in rejection of the presidential candidacy of the military, genocidal and former coup supporter Efrain Rios Montt.

Credits

Photography: Victor Pérez

Vídeo: Damilo Montenegro

APA style reference

Galindo, R. (2003). Who Can Erase The Traces?. walk · listen · create. https://walklistencreate.org/walkingpiece/who-can-erase-the-traces/
Submitted by: Dani Spadotto

driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

Added by R and F Mo
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