On the last day of 2017, the impossible textures of the sea
.
.
A full moon emerges
rises, observes
.
.
Constant flux underfoot, new paths
.
Sustaining coastal energies, wind, sea spray
changing colours of the tide
Cloud and sea – a mirrored
chiaroscuro dissolving
the lip of land
Grounded exhalation
.
.
silhouettes of breath
etched on the gloaming
≈
A week earlier – 26.12.2017
Bookends of light
fizzle into folds of darkness
Half a silver lozenge, to pluck from the sky
We leave it to the nightwatch(er)
≈≈≈
Taken from a series of short walks around the West Fife coast during the last week of 2017. Putting this together left an initial conundrum. How did I photograph a full looking moon and half moon less than a week apart? I posted the question on Twitter and thanks to Portals of London (@portalsoflondon), Jennie Murray (@lithgaelark) and MAW Holmes (@MAW_H) for the clarification. Basically I had taken a cycle at 29.5 days and halved it instead of taken a quarter to move from half to full. (new – half – full – half – new). However, possibly preferred Paul Kenny’s (@jmarmaduke) answer of alchemy.
Now playing: Ketil Bjørnstad, David Darling, Terje Rypdal, Jon Christensen – The Sea II