sound and text responding to time, distance and movement in the landscape

The webpage "Selected Projects" on Lerjen Tours' website presents a curated overview of specialized walking and cultural tours primarily located in Iceland. These projects emphasize immersive experiences that combine natural landscapes with cultural heritage, showcasing routes and itineraries designed to explore Iceland’s unique geography, history, and folklore. The descriptions include details about the thematic focus of each project, such as historical pathways, religious pilgrimages, and nature-based routes, reflecting an integration of landscape and cultural geography. Each selected project is detailed with specific attention to its geographical setting, cultural significance, and historical context, illustrating the connection between place and narrative. The site also highlights collaborative efforts and research activities linked to academic or local cultural institutions, situating the tours within a broader framework of cultural preservation and interpretation. These projects collectively articulate a walking art approach, where movement through the landscape is used as a method of engaging with and understanding cultural environments.

The website "Code as Prosthesis" serves as an online platform exploring the intersections between code, technology, and human experience through an artistic and theoretical lens. It presents a collection of essays, projects, and artworks that investigate how code functions not only as a tool but also as an extension or augmentation of the body and mind. The content engages with themes related to digital embodiment, posthumanism, and the ways computational practices reshape perception, identity, and our interaction with space and culture. Structured around contributions from diverse artists, theorists, and researchers, the site delves into critical and speculative approaches to understanding code beyond its technical dimensions. It situates code within broader cultural and philosophical contexts, addressing its role in contemporary art practices and questioning normative relationships between human and machine. The material reflects a multidisciplinary inquiry, combining insights from media theory, cybernetics, and cultural geography to emphasize the prosthetic nature of technological interfaces in mediating lived experience.