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Collaborative Locative Media editor

gps-triggered soundscapes

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walkingevent

Wainwright: Creative Mapping Workshop with Jessica Emsley

Join artist, Jessica Emsley for a walking art workshop. Together, we’ll explore the creative possibilities of mapping a walk, creating our own subjective maps through sketching and writing whilst on foot and developing these on our return to the Armitt. Inspired by Wainwright’s meticulous recording of his Lakeland walks, we’ll create both a shared record

Andrew Stuck
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Depending on how you look at it

Janice Jensen's "walkingwhiledrawing" project explores the subjective perception of moving through the environment. Using a drawing machine, she records her movements while walking to create linear documentation and virtual landscapes in VR. The ongoing project has been displayed in various exhibitions and is set to expand with new landscapes and multimedia elements.

Janice Jensen
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Mapping memories: river Sava

more about my project: Mapping memories: river Sava

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Hiiker

Hiiker is a platform for long-distance hiking trails around the world.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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