This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

Walking among an area in Nurri of about 10km, which has been indicated as suitable for the storage of radioactive waste, by delimitating it with signboards. People from around the island are invited to walk together with the intention to treate a moment of awareness towards environmental problems and the care of the territory. Artists:

The project addresses the conference theme question: what questions does the ground you walk on raise? Here, walking is seen as an archaeological process transcribed into a Wunderkammer of roaming arte/ecofacts, a hoard of perambulatory acquisition, a strolling epistemology. These are walks of collecting found objects and an installation that articulates the embodied culture of

The walking bodymind is a dancing body. As in dance, prolonged repetitive movement can hold the body in a transitional state at the edge of consciousness, in a hypnagogic-like state of lucid questioning, insights, and enhanced creativity. The walking bodymind is a falling forward body, a rolling body, a transitioning body, a questioning body, a

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

A walking action for Walking as a Question by the HUB Switzerland, Zürich. Open for global participation. The physical world has defining properties. We cannot walk through walls. That’s why a door must exist, writes the Swiss sociologist Lucius Burckhardt in his text “On the Design of Everyday Life” (1979). But he adds: Hidden doors

Two Audio Walk Events on the 4th (Spanish) and 8th (English) of July for 30 minutes each. These are invitations to have a walk together, at the same time but from wherever we are in the city of Santiago de Chile and in the world, while one person is audio guiding the walk. They will be held in the morning (8 am Chilean Time) because this is the “free time” where everyone in Chile is allowed to go out from their homes.

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

Open for global participation, the artistic project, Telegraph (Prespa), consists of interrelated isolated segments of participation and interaction between individuals in Prespa, Greece and locations around the world who come together to form an integrated whole. Specific to the work is the idea of creating an interconnected, shared space of walking that is global in

“Nomadism” presupposes the existence of a “landscape”, where the “Nomad” with walk-explore and will collect information in an empirical-emotive way. This information will be transformed in experience on which his/her mental and creative map will be composed. Through this map, ideas will be born and these ideas will facilitate the emergence of the “nomads” double

The People of the Earth – From Clay to Ancestors Enya’s work seeks an intimate contact with the earth, first with the extraction of clay in the clay cave lake of Nurri, and then with the participatory realization of the “People of the earth”, involving in the process the community of Nurri. The realization will

Α collection of digitally captured visual elements is made through walking practices. The visual data that are collected are translated into sonic wavetables. Using software synthesizers these wavetables can be played, sequenced and transposed to different pitches. The endpoint is to create audible translations of natural elements, like landscapes and the macro cosmos, of Prespa

As part of the ecological system that is nature, we are supposed to let our consciousness wander to both the exterior and interior of our mind, receive certain things from nature, and give others back to her. What is it that we can sense and learn through these attempts to communicate with the various forms

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

A group walk for all in Prespa. For most people, participating in events has the prominent intention of meeting others, whatever the focus of that event may be. On the other hand, one of the main aims of WAC International Encounters / Conference seems to be the forming of a community. In line with the

Online presentation and streaming of the project: One hour, including Q&A via Zoom. Zoom link: https://us02web.zoom.us/j/6802700632?pwd=QkI2QzRDSnd0dk5nekRrUVFpRnp4QT09 Meeting ID: 680 270 0632 Passcode: walking On Monday July 5, Regin Igloria and Jenny Polak will transmit a livestream from Regin as he approaches the Broadview deportation processing center outside Chicago, IL. For ‘What Moves Between Us?’ artists

The idea for the artwork came to my mind when I enterd the courtyard of the special primary school and I saw a painted red line on the ground. In the process I find that it has been designed to be a kind of “direction guide” for children with disabilities. The execution seemed easy: The

The idea for the artwork came to my mind when I enterd the courtyard of the special primary school and I saw a painted red line on the ground. In the process I find that it has been designed to be a kind of “direction guide” for children with disabilities. The execution seemed easy: The

The purpose of this walkshop is to create a soundwalk conversation between two people geolocated in different places. We want to raise awareness of the richness of sounds that are generated in our daily environment and promote consciousness of how lively our planet is. Instructions: The project will be conducted online. All participants will be

Depending on where it takes place, along with its political, social or environmental context, walking can take on a different meaning. Why do we walk? Out of obligation, for pleasure, to feel the world? The body through its senses, i.e. sight, hearing, touch, smell, taste, and movement, perceives sounds, images, smells, elements, situations, energies.Can walking

Keywords : heritage , memories, transgenerational, mediterranean The Hub Corsica is constituted by mountain guides-lecturers, historians, environmental scientists which aim is to preserve and to promote natural, cultural, historical and artistic heritage of Corsica. Corsica island shares with the rest of mediterranean basin a known common heritage but it presents an exceptionnal wealth yet preserved

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

Edinburgh Hub Introduction to the project online on Tuesday 6 July 9 am UK time; 11am Greek time There are 4 parts to this walkshop: the first is for one person, parts 2 and 3 are for 2 people walking together, part 4 is an online forum These are the questions Body Walking will ask:

The pandemic challenged walking artists to engage with new forms and new media for their practice. Group walking was translated into online walking, allowing people around the globe to walk together. Prompts or "walking scores" facilitated pandemic walkers to explore within the limits of their walking spaces, often in surprising and new ways, individually or with other remote walkers. Online technologies permitted to listen into remote spaces, beyond physical reach in the pandemic.

For International Walking Encounters/Conference 2021 I propose to assemble a group of walkers for the duration of the Prespes walking event. These walkers will commit to choosing and making a walk on their own for one hour each day. Every day they will repeat this walk exactly. During the week they will choose to perform

The walkshop address the theme of walking as question by trying to answer the question of what do we become when we walk by, alongside and with water. The environmental degradation around the Albanian side of the Prespa Lake, such as near the village of Zagradec, had been ongoing since the 1970s when the Devolli

In the walkshop we will attempt to explore whether walking practice can reconstruct memorization and public mourning policies, beyond the regulatory archiving of state collective memory, and how we can focus on the “other memorials” that interrupt hegemonic cultures in relation to memorization policies and practices. More specifically, we will discuss the concept of an

The Yellow Immigration Sign was a U.S. highway safety sign warning motorists to avoid illegal immigrants darting across the road. It depicted a man, woman, and girl with pigtails running. The signs were erected in response to over one hundred immigrant pedestrian deaths due to traffic collisions from 1987 to 1990. Immigrant smugglers adopted the

The covid-19 situation has brought about a restriction to civil liberties unprecedented in ourlifetime. On a matter of public concern, new logics of visibility and mobility have modifiedurban interactions and attendance. What can be the role of art in this current political, social,environmental, and medical situation? In what ways public space art explores alternative modes

A group walk in Prespa. Center, magic archetypal circle.Circle as a symbol of protection and defense.The ritual events in the shape of a circle. Carl Gustav Jung introduces the Mandala motif into modern psychology through his personal experience, as a kind of diary.He drew a small circle every morning and observed how it changed according

This walkshop in Prespa activity aims to address questions of ability, mobility, disability, personal space and sociality through the experience of walking. The activity will be separated into three sections, each of them correlating to a respective theme. These activities to take place during the morning for a group of flexible number of participants, which

The photographert artist Roberta Pitzalis proposes to walk and photograph the surrounding countryside of Nurri, not focusing on the “beauties of the territory” but on the waste that is often dispersed in the territory. Kids and adults are invited to participate

Open to both those in Prespa and online, Walking a Line: Encounters Through Drawing, an activity created by Ruth Broadbent, can be carried out whilst walking to Prespa or at any time during the week, individually or as a simultaneous group action.

For International Walking Encounters/Conference 2021 I propose to assemble a group of walkers for the duration of the Prespes walking event. These walkers will commit to choosing and making a walk on their own for one hour each day. Every day they will repeat this walk exactly. During the week they will choose to perform

When we are walking with awareness, what asks to be witnessed? What does the walk as an interaction between our body, mind, and the terrain ask us or ask of us? The pandemic has tended to keep us closer to home, in one place, more local and more aware of our locality. We are always

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

The People of the Earth – From Clay to Ancestors Enya’s work seeks an intimate contact with the earth, first with the extraction of clay in the clay cave lake of Nurri, and then with the participatory realization of the “People of the earth”, involving in the process the community of Nurri. The realization will

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Keywords : heritage , memories, transgenerational, mediterranean The Hub Corsica is constituted by mountain guides-lecturers, historians, environmental scientists which aim is to preserve and to promote natural, cultural, historical and artistic heritage of Corsica. Corsica island shares with the rest of mediterranean basin a known common heritage but it presents an exceptionnal wealth yet preserved

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

The animals are walking creatures. In a Walking Encounters/Conference, the walking processes of the animals, the, often, invisible companions of human walkers should be considered. The animals are invisible because they try to avoid the encounter with human beings. What remains from their presence is the footprints they leave on the soil: the animal traces.

Symphony of NatureAn early in the morning silent peripatos at the top of a hill , to smell the fresh air of the day to listen to the sound of earth, to explore the songlines of the area and last but not least to stare at the sun-Rise !!!! A case that one might succeed

The walk I propose is inspired on the romantic British poet William Wordsworth “Poems on the naming of places” 1800. Together with his sister Dorothy and his friend the poet Samuel Coleridge they started a new subjective cartography, while living in the nature in Grasmere, in the Lake District. What we will do in our

Where do you want to spend eternity? Yoko Ono An inter- art workshop, an audio guide walking experience based on the method of scores, combining the live, embodied, experience, the nature and the place with references and stimuli from works of art and literary texts .Our initial inspiration is based on the 1st score in

“Find the horizon, and follow it < Tell a secret to a tree < Bring back a special cloud” “Find the end of the Earth < Create a landmark < Bring back some hope” “Happy tourists” is the first and unique travel agency inviting tourists to “get lost”. We believe that discovery is more about

Repeat walkshop. The covid-19 situation has brought about a restriction to civil liberties unprecedented in ourlifetime. On a matter of public concern, new logics of visibility and mobility have modifiedurban interactions and attendance. What can be the role of art in this current political, social,environmental, and medical situation? In what ways public space art explores

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar

Prespa on my mind ….A walk in Prespa and anywhere in the world.-with or without internet connection – LONG DISTANCE ROUNDABOUT is conceived as hybrid walk guided by Ienke Kastelein and avatar Lise Brenner in Prespa. We will walk simultaneously with a group of people present in Prespa, people who have walked in Prespa before

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

The People of the Earth – From Clay to Ancestors Enya’s work seeks an intimate contact with the earth, first with the extraction of clay in the clay cave lake of Nurri, and then with the participatory realization of the “People of the earth”, involving in the process the community of Nurri. The realization will

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Keywords : heritage , memories, transgenerational, mediterranean The Hub Corsica is constituted by mountain guides-lecturers, historians, environmental scientists which aim is to preserve and to promote natural, cultural, historical and artistic heritage of Corsica. Corsica island shares with the rest of mediterranean basin a known common heritage but it presents an exceptionnal wealth yet preserved

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

Coffre/philo /discussion, exchanges, around Hub Corsica actions / international conference and sharing idées around memory trails … Walk in Murato Supranu village, Chapel Saint Michel … etc. Installation and reinforcement of signages with the guides of the Nebbiu Mountain Office and its volunteers on the path that leads to the Paleo-Christian Chapel of San Frussulu.

Walking lays the rhythm of the streets, archives the voice and the memory of the city. Our feet are an instrument, and they read the sonic composition of urban space. Our listening revitalizes social space. By walking we connect our body with the body of the city, as players and listeners of an urbanophonic orchestra - conversation about how walkers resonate with the city and how the city is sonorically composed by / of its walkers.

Pilgrimage is a journey to a destination, external or internal, literal or figurative, material or spiritual. The goal of the pilgrim is to move by walking hundreds of kilometers many times, from the familiar, the trivial daily, to the Other to the ideal. The motives of the pilgrim are different for each one, remembrance of

Unfortunately this event is cancelled because of the covid situation in the UK. A public walk through the streets of London, punctuated by readings and interventions from artists, theories and other thinkers about the nature of the public and common space. We will lead a walk for up to 20 people lasting for 1 hour

Talk/Walk:A talk filled with many questions followed by a wordless walkThe talk can be given remotely, the walk can only be taken in Prespa. We are animate forms of life, when walking we insert ourselves amongst other animate forms of life as rhythms, we walk in concert. Choreographer Maxine Sheets-Johnstone argues that Movement is our

Audio guides for Walking: There will be two Audio Walk Events on the 4th (Spanish) and 8th (English) of July for 30 minutes each. These are invitations to have a walk together, at the same time but from wherever we are in the city and in the world, while one person is audio guiding the

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

The People of the Earth – From Clay to Ancestors Enya’s work seeks an intimate contact with the earth, first with the extraction of clay in the clay cave lake of Nurri, and then with the participatory realization of the “People of the earth”, involving in the process the community of Nurri. The realization will

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Keywords : heritage , memories, transgenerational, mediterranean The Hub Corsica is constituted by mountain guides-lecturers, historians, environmental scientists which aim is to preserve and to promote natural, cultural, historical and artistic heritage of Corsica. Corsica island shares with the rest of mediterranean basin a known common heritage but it presents an exceptionnal wealth yet preserved

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

An investigation of the power of ‘not knowing’ and wandering in walking art. Wandering, seen as a discipline of the art of loving the unforseen, the beauty of the problem and the philosophy of failing as a methodology to connect and reconnect with others, the environment and oneself. In this performance as a paper and

The Covid 19 crisis of 2020-21 has taken many names, including “The Great Pause.” It has forced us to halt our usual habit patterns and critically reflect on how we conduct our daily lives. New forms of movement and sociability have emerged in the wake of this global pandemic. Why and how do people develop

Artists and researchers are taking a closer look at our relation with the planet, with technology as a mediator, and some are putting locative media at the center of an adjusted framework for doing so.

Organized by Cut Contemporary Fine Arts Lab (Klitsa Antoniou and Gabriel Koureas) Coordinator: Dr Gabriel Koureas Five 20-minute audio visual presentations Roundtable Discussion – 30 minutesOur panel of speakers and roundtable discussion will actively engage with walking/performative experiences in Cyprus in order to highlight and intervene in the political, personal and social conditions in Cyprus thus

Online presentation of the remote project. Depending on where it takes place, along with its political, social or environmental context, walking can take on a different meaning. Why do we walk? Out of obligation, for pleasure, to feel the world? The body through its senses, i.e. sight, hearing, touch, smell, taste, and movement, perceives sounds,

Kite making workshop and simultaneous flight in Prespa, Greece and London, UK Our walkshop will begin with a presentation exploring the possibilities and problematics of a reparative walking practice within the context of the global pandemic. Following the screening, our team will run a workshop via a video call from London. We will guide you

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Keywords : heritage , memories, transgenerational, mediterranean The Hub Corsica is constituted by mountain guides-lecturers, historians, environmental scientists which aim is to preserve and to promote natural, cultural, historical and artistic heritage of Corsica. Corsica island shares with the rest of mediterranean basin a known common heritage but it presents an exceptionnal wealth yet preserved

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

In the night of the new moon, we walk from the dark into the morning blue. There is no direction, only the first sunlight can guide us. Children stories are the red thread in this labyrinthine quest.

Ten hubs walk and intersect with Prespa during the one week encounters. Meeting link. The Prespa encounters opens with a walk in Chile and ends with a walk in Argentina, inviting to listen and move together through the differences and similarities of landscapes on two sides of the world. The Cartography of Hospitality collective walks

The walkshop is focusing on the adjacent points of Prespa (Greece, Albania, Northern Macedonia) and how they exist and do not exist at the same time. It is this instantaneous and simultaneous existence and non-existence of boundaries that this practice aims to explore and highlight.Five portable devices are placed along the borders. They simultaneously retransmit

A Walking laboratory in which we will analyze, practice and explore our way of being in times of smart working. How much does the ‘smart working’ relegate our bodies in new labour conditions? How did it change the concept of time, space and labour in the pandemic era? What is the impact of the so-called

As part of the ecological system that is nature, we are supposed to let our consciousness wander to both the exterior and interior of our mind, receive certain things from nature, and give others back to her. What is it that we can sense and learn through these attempts to communicate with the various forms

We can walk as an opportunity to ‘weave’ together the fabric of a place, connecting its people, the land, the built environment. Walking is slow mobility and allows time to explore what the environment has to offer through all the senses. We walk together in groups and create a sense of togetherness by experiencing playful

A collective walking action in Brazil and the rest of the world. Open for global participation. If the walking practices are movements that provide the body with means to read and draw the city through perceptions and sensations caused by the encounters and experiences that happens during the journey, the extraordinary time of the pandemic

“Listening Walkers. Sound expeditions to rediscover the territory”A group walk of deep listening simultaneously between the city of Rosario (Argentina) and the Paraná River, and the area of Prespa (Greece) and its lakes, with the aim of re-discovering the territory from the sense of hearing. Attentive listening – in which the whole body is engaged

This is an invitation for the group discussion following on a self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. Participants that are signing up for the activity will receive in advance an activity pack that includes instructions for a self-guided walk

This self-guided sensory walking activity explores the therapeutic benefits of engaging hands-on with paper whilst going on a walk and connecting with trees. After completing this activity in your own time, participants are invited to share experiences and creations in an online facilitated group discussion setting.

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

“Scalinantis” walk in the Nurri forest with packed lunch and breaks. – “Reflections on Thoreau and Snyder” with the artist / literary critic Martino Cappai. – “Lais & Salis Recital Concerto” by Anna Tea Salis, writer and Marco Lais, ukelele. Presentation of the book “Quartiere Benvenuti”, published by Catartica Edizioni. – Archaeological site with Paolo Marcialis,

From 4 to 11 July 2021 the first edition of the L’HUB SARDINIA – Caminu a Su Connottu will be held in Nurri. The SARDINIA HUB would like to bring the attention on how walking can highlight / intervene on political, personal, social, economic and ecological issues that affect some rural areas of Sardinia. The new IVYnode project would like to garrison on the territory through the practice of walking, to keep alive the interest in the threat of building a radioactive waste deposit in the rural areas of Sardinia.

PORT | Limáni sets out to practice, and test, a set of experimental walking methodologies within peripheral spaces in Edinburgh and within the Prespa region. Edinburgh (UK) based artists, Deirdre Macleod and Stephanie Whitelaw will each conduct separately, a set of repeated walks through peripheral areas in Portobello Edinburgh with which they are relatively unfamiliar and which have a liminal quality to them, by virtue of becoming derelict, experiencing land use change or being, in some way, ‘unregulated’ spaces which experience a range of human and animal uses.

Every walk, even the one from bed to stove, is a complete journey, a narrative filled with a dizzying variety of events, locations, people, creatures, most of which we overlook. For our bodies, walking is a series of controlled forward falls, a dance of conscious and unconscious choices. How do “I” and where I am

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Since 2017 Fabian Gutscher is walking simultaneously with someone else using the app Synchronisator. Sometimes one to one, sometimes performative and sometimes with Hong Kong. The App lets you hear the stepping rhythm of an other person walking anywhere in the world. For Prespa he will walk every day with one question and with at least one other walker. Everyday. There will be schedule communicated on the website institutmovement.eu

The HUB wants to bring together a group of people in Zurich who will participate, follow the discussions and do the proposed walks together and share their experiences. Apart from that the HUB in Zurich proposes the walkshop “walking in(out)doors” for the encounters/conference, that focuses on visible and invisible “doors” to rethink accessibility.

Walking arts today became a response to the deep environmental global crisis we are facing today. Walking is one of the keys to contextualize and deepen our understanding and relation with the planet place we live on. It is more and more clear that the future will be ecological or there will not be a future for our species. Walking our planet is the opportunity to explore this question.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Walking, next to a creative process and an artistic form can be a base for pedagogy. A pedagogy that is lived, contextual, personal, creative, integral and embodied. Walking can develop pedagogical methods that may be applied to diverse groups. The paradigms that are presented show the emancipatory potential of walking and its educational possibilities.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Artists and researchers will discuss how walking practices can establish deep and complex relationships in/from/to and with the territory.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

In East and West, for centuries, painters, poets, dancers were walking in the landscape (natural and urban) and finding sources of reference or inspiration. Walking stories are carried in memory and remain existing for as long as there is a body to carry them. Walking is not characterized by one solid approach; it can be drifting, wandering, strolling, aimless, or purposeful. Each one of these practices suggests a body that remembers and they are introducing different approaches of storytelling.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

July 16, 2021 @ 7 pm. A Friday Evening Performance on Governors Island of Walking in Azcapotzalco by Viv Corringham & Amanda Gutiérrez. This live duo performance uses 360 video, field recordings, voice and electronic voice processing to tell the story of their shared walk in Mexico City. FREE. Limited Seating. Check the website for

With the human body as an instrument, the human walker plays a variety of songs, with different rhythms, metres, and cadences, which grow from and impart different sociological, psychological and political meanings. The artists and scholars on this panel explore both the possibilities and the presumptions of walking as a technique of the body.

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

This cafe conversation centers on academic research and artistic practices that investigate the act of walking as shaped by pandemic conditions.

Edinburgh Hub Introduction to the project online on Tuesday 6 July 9 am UK time; 11am Greek time There are 4 parts to this walkshop and parts 1-3 can be done at anytime in your own locality. Part 1 is for one person (10 minutes walking, 20 minutes reflection) Parts 2 and 3 are for

Guy Debord said, « Psychogeography is the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals ». The urban situation affects individual strolling but also depends on individual condition, such as gender, nationality, and age, each person experience differently in the

Following on from ‘over borders #1’ (also available as a free download) we have curated a PDF collection of scores (photographic, text, graphic) that use the act of walking as a way to question the objectification of environments and the role of ‘stepping back’ from a human centric view of place.

Some years ago Kristine Samson und Sanne Krogh Grogh proposed the Audio Paper bringing together audio, performance and text in a new and hybrid format. This concept was extended into a new form of audio walk, during the Walking Arts Encounters / Conference in Prespa. Writers of these audio papers are invited to talk at this Walk Listen Café.

“My Body, My Country”, Creative and meditative walking How does our body become our homeland?How do our bodies become a receptacle and messenger of the multiple realities we are immersed in? In a time where feeling disconnected from our bodies is the new normal, this workshop/ creative walk will help participants explore their own body

Pre-premiere of documentary "Is Walking Art" - Premiere of the publication Prespa 2019 and meet up Walking Arts Encounters/Conference Prespa 2019 & 2021