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UNION Galería

Galeria Unión is a contemporary art gallery located in Mexico City, specializing in the exhibition and promotion of Latin American contemporary art. The gallery focuses on showcasing works by emerging and mid-career artists, representing a diverse range of media including painting, sculpture, photography, and installation art. Its collection emphasizes both historical and experimental practices, fostering dialogue between established artistic traditions and innovative contemporary expressions within the Latin American art scene.

The gallery actively participates in art fairs and collaborates with private and public institutions to expand the visibility of its artists internationally. It also organizes solo and group exhibitions that explore thematic and conceptual concerns relevant to cultural and social issues in the region. Through these efforts, Galeria Unión serves as a significant platform for understanding the evolving dynamics of contemporary art in Latin America.

Sub-collection

Group exhibitions

Sub-collection · 1 items

Installations

Collection · 13 items

painting

Collection · 23 items
Sub-collection

sculpture

Sub-collection · 44 items

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Generative Landscape Artist

As a divergent and creative thinker and arts practitioner. I like to challenge my audiences imagination, curiosity and engagement. By designing beautiful sculptural landscapes that transform spaces into places. Enjoyable and fun to lie, work, play, walk through and contemplate on. I just happen to make exceptional Sculptures and Installations! Follow me while I walk!!

walkingevent

Visual Path to Prespa / 1st Painting Workshop

Visual Path to Prespa/1st Painting Workshop/University of Western Macedonia presents at the Platforms Project/Contemporary Art Platforms Thursday 9th to Sunday 12th,  October 2025 the evolution of the Visual Path through its latest form as a partner of the Creative Europe Program: Walking and Local Communities (WALC and LOCAL COMMUNITIES/WALC) as well as the initiator/ organizer of the International Encounters

Yannis Ziogas
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jrbrubaker.com

John Ryan Brubaker (he/him) is a visual artist based in West Virginia. He is interested in the peripheries of the photographic process, experimenting with everything from presentation and distribution models to the chemical make up of photographic paper. Often utilizing hybrid forms of photographic media, he builds collections of visual records from his environment, at times using river water, found coal or rainfall to make prints, books and installations. He has exhibited throughout the US and Europe, including at the Museum of Contemporary Art Arlington, the Juliet Museum, the Hirshhorn, Harlan Levey Projects and many others. He has been published by the Virginia Quarterly Review, Ampersand Editions, the Fotomuseum of Antwerp and others.

Sound walk

For the Sake of a Single Poem: a Benedictine monk’s meditations on Rilke

Beginning with a reading of Rilke's "For the Sake of a Single Poem", before a statue of a young monastic, Benedict, sequential echoes utilize space and place to weave together spoken and musical meditations on Rilke's take on creativity and loss.

gemaurer

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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