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Kathy Hinde

Kathy Hinde

(United Kingdom)
Kathy Hinde’s work grows from a partnership between nature and technology expressed through audio-visual installations performances and walks that often combine sound, sculpture, image and light. Drawing on inspiration from behaviours and phenomena found in the natural world, she creates work that is generative; that evolves; that can be different each time it is experienced. Kathy aims to create work that gives rise to a poetic and reflective experience that enriches an appreciation of the everyday, inviting a heightened awareness of the world around us.

Kathy frequently works in collaboration with other practitioners and scientists and often actively involves the audience in the creative process. She has created light and sound installations in public spaces, including urban streets, woodlands and forests alongside more ephemeral public interventions such as live listening walks.

She has shown work extensively across Europe, Russia, China, Sri Lanka, Pakistan, USA, Canada, Colombia, Mexico, Brazil, Australia and New Zealand. Awards include an Ivor Novello Award for Sound Art in 2020; an Honorary Mention at Prix Ars Electronica in 2015; a British Composer Award in Sonic Art in 2017; an ORAM award in 2017 and a Scottish Award for New Music in 2018. She joined the Cryptic Artist programme in 2015, was a selected artist for European SHAPE Platform for innovative music and audiovisual art in 2018, and is a member of Bristol Experimental Expanded Film collective.
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GPS, geo-poetic system

Geo-poetic system was a term coined by Lucy Frears during locative media art research (published 2017). The basis of geopoetics, a theory and practice developed by Scottish philosopher and poet Kenneth White, is to connect humans to the lines of the earth (White cited in McManus 2007: 183), or ‘what’s out there’ (Ingold 1993; 154; White 2005: 200; White 2006: 9). The contact White describes is often between the human mind and the earth, what he calls ‘landscape-mindscape’ (Legendre 2011: 121). Because of the embodied nature of locative media experiences using a smartphone in landscape for these walking art experiences using gps technologies Frears expanded this notion to being ‘landscape-mindscape-bodyscape’ (2017).

Added by Lucy Frears
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