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Lydia Matthews

Lydia Matthews

Professor of Visual Culture in Parsons Fine Arts program and founding Director of the Curatorial Design Research Lab at The New School. Her work, which often includes participatory walks, explores how contemporary artists, artisans and designers foster critical democratic debates and intimate community interactions in the public sphere, often in response to a variety of urgent global and local conditions in their daily lives. She has lectured and curated numerous exhibitions, community-based urban festivals, and multidisciplinary pedagogical exchanges in Post-Communist countries (Georgia, Kazakhstan, Czech Republic), Turkey, Greece and New York.
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pedinamento

A highly influential ideologue of neorealism, scriptwriter and director Cesare Zavattini suggested “pedinare,” the Italian word for stalking or shadowing, as a technique for filmmaking. Pedinare in cinema entailed “tailing someone like a detective, not determining what the character does but seeking to find out what is about to ensue.” The etymology of the word in Italian suggests “legwork” as it is derived from the Italian word for foot, “piede.” It is possible to suggest that the proliferation of images of walking in Italian Neorealism is closely linked to the technique of pedinamento, not because all neorealist filmmakers were followers of Zavattini, but because going out onto the street to encounter the everyday life of post-war Italian cities and creating cinematic tools to articulate these encounters were major concerns for the filmmakers of that era.

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