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Samprati Pani

Samprati Pani

(India)
I am a walker, writer and social anthropologist. I have lived in New Delhi for over two decades and walked in the city for as long as I can remember. I walk to buy groceries from the neighbourhood market; I walk to exercise; I walk to spend time with friends, old and new; I walk to reach somewhere and not reach anywhere, to explore unfamiliar places and know familiar places anew, to be solitary and to be part of the world.

Currently, I am a postdoctoral Research Fellow at the Max Weber Forum for South Asian Studies, New Delhi, and am working on a project on repair and maintenance practices in urban marketplaces of India. My doctoral research work was on the making of ordinary streets and bazaars of Delhi through intersections of urbanism, design and spatial practices. Walking as a technique of doing ‘slow anthropology’ is central to my research practice, involving a continuous process of attuning myself to and becoming part of the rhythms of the worlds I’m engaging with. My research also explores the diverse techniques, itineraries and rituals of walking that city dwellers use to forge intimate ties with places in the city and maintain the public character of these places. In addition, it seeks to understand changes in the city that disrupt or inhibit walking practices through surveillance, gentrification and architectural tools.

I am the editor of the blog Chiragh Dilli, which explores forms of writing the city. I collect images from my walks and write of little things on the street—shops, objects, characters and conversations—my walks revealing forms of inhabiting the city, the self and time. My work draws inspiration from a wide range of women scholars and writers, from Jane Jacobs and Rebecca Solnit to Doreen Massey and Virginia Woolf. My writings can be found on my blog https://chiraghdilli.com
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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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