Anastasia-Zoi Souliotou 
The website titled "anastasiazoisouliotou.wordpress.com" serves as a digital portfolio and professional archive for Anastasia Zoisouliotou, an artist and researcher whose work intersects walking practices, art, and cultural geography. The site contains detailed descriptions of her projects, which often explore themes such as spatial experience, landscape interpretation, and embodied movement through urban and natural environments. It includes photographic documentation, maps, and text-based reflections that provide insight into her methodology and conceptual approach. Additionally, the site hosts academic presentations, publications, and information on her involvement in collaborative research and exhibitions, revealing a multidisciplinary engagement with the cultural dimensions of walking as an art form.
The content on the website highlights several site-specific walking investigations, demonstrating how the artist uses routes and trails as tools for critical observation and narrative construction. The projects frequently emphasize the relationship between place, identity, and memory, drawing on both personal and collective histories embedded in geographic locations. The research extends to performance components and participatory events, showing how walking can be both an artistic practice and a mode of geographic inquiry. Throughout, the site thoughtfully situates the artist’s work within broader discourses on psychogeography, landscape studies, and environmental humanities.
Related
Exodus
Exodus (1992) by Steve McQueen is a silent Super 8 film showing two West Indian men walking while carrying coconut palms through London. The film quietly explores themes of migration and belonging, capturing a fleeting, poetic moment of Black presence with minimal narrative and a handheld, observational style.
www.annececilielie.com
Anne Cecilie Lie's website presents her work at the intersection of walking, art, and cultural geography. The site details her explorations of landscapes and urban environments through embodied walking practices, emphasizing the sensory and experiential dimensions of place. It features her engaging with issues such as memory, identity, and environmental perception, often blending artistic expression with academic inquiry. The site includes documentation of her projects, which combine maps, text, photography, and sound to articulate nuanced spatial narratives. It also highlights her collaborations and exhibitions, illustrating how her practice situates walking as a form of knowledge production within both art and cultural geography disciplines.
Walking Art / Walking Aesthetics
The website https://walkingart.interartive.org is a digital platform dedicated to the exploration of walking as an artistic and cultural practice. It serves as an archive and resource hub that documents various walking art projects, events, and research. The site features detailed descriptions, visual documentation, and theoretical reflections on walking art, highlighting its interdisciplinary nature and its intersections with performance, sound, mapping, and urban exploration. The platform aims to facilitate knowledge exchange among artists, researchers, and audiences interested in the cultural and artistic dimensions of walking. In addition to its archival function, the website offers access to curated collections of walking artworks and narrations, contextualizing them within broader geographic and social frameworks. It provides users with tools to navigate and understand the significance of walking within contemporary art discourses and cultural geography. By situating walking practices in relation to place, memory, and perception, the platform emphasizes the role of movement and spatial experience in shaping artistic expression and cultural identity.
Spatial Anthropology: Preface and Section Intros
The publication titled "Spatial Anthropology: Excursions in Liminal Space" explores the intersections of spatial theory and anthropological practice, focusing on the concept of liminality within geographic and social contexts. It examines how physical and metaphorical spaces function as thresholds or transitional zones, where conventional boundaries are blurred or redefined. The work engages with case studies and theoretical reflections to analyze how liminal spaces facilitate social interactions, cultural negotiations, and identity formations, emphasizing their dynamic and processual nature. The study situates itself within a broader discourse on spatial anthropology, contributing to understandings of how spaces are produced, experienced, and contested. It highlights the importance of field excursions and embodied encounters as methodological tools, allowing anthropologists to explore the fluid and often ambiguous qualities of liminal spaces. This approach underscores the entanglement of space, culture, and power, offering insights into the ways spatial practices shape and are shaped by social life.
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