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1962

Map Piece

walking
Multiple locations
Free

Writing

Collection · 220 items

creating encounters

Collection · 162 items

walking as research.

Collection · 170 items

psychogeography

Collection · 280 items
Walking piece

“Map Piece” is an iconic conceptual artwork created by Yoko Ono in 1962. This piece is part of her “Instruction Paintings” series, where the instructions themselves become the art, inviting participation and contemplation from the audience.

The artwork consists of a simple set of written instructions that prompt the participant to engage in a thought-provoking action. The opening lines of “Map Piece” read:

Draw an imaginary map.
Put a goal mark on the map where you want to go.
Go walking on an actual street according to your map.

The instructions are intended to provoke imagination and introspection. By asking participants to draw an imaginary map and set a goal, Ono encourages them to think about their aspirations, journeys, and the paths they take in life. The act of imagining driving and navigating this map connects to themes of direction, purpose, and personal exploration.

“Map Piece” emphasizes the role of imagination in art. The artwork is completed through the mental and physical actions of the participant, making each experience unique.
The piece metaphorically addresses life’s journey, the goals we set, and the directions we choose to take. It encourages self-reflection on personal ambitions and the process of reaching one’s destinations.
This piece is a quintessential example of conceptual art, where the idea and instructions are more important than any physical manifestation of the artwork.

“Map Piece” has been celebrated for its simplicity and profound depth. It embodies Yoko Ono’s approach to art, which often blurs the lines between artist and audience, inviting active participation and personal interpretation.

APA style reference

Ono, Y. (1962). Map Piece. walk · listen · create. https://walklistencreate.org/walkingpiece/map-piece/

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pedinamento

A highly influential ideologue of neorealism, scriptwriter and director Cesare Zavattini suggested “pedinare,” the Italian word for stalking or shadowing, as a technique for filmmaking. Pedinare in cinema entailed “tailing someone like a detective, not determining what the character does but seeking to find out what is about to ensue.” The etymology of the word in Italian suggests “legwork” as it is derived from the Italian word for foot, “piede.” It is possible to suggest that the proliferation of images of walking in Italian Neorealism is closely linked to the technique of pedinamento, not because all neorealist filmmakers were followers of Zavattini, but because going out onto the street to encounter the everyday life of post-war Italian cities and creating cinematic tools to articulate these encounters were major concerns for the filmmakers of that era.

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