Abstract: Building upon the disciplines of Truman, Shannon, and Springgay, this work discusses the complexities of inhabiting a crip, queer, black, or otherwise “othered” body while interacting with natural spaces and shared public spaces. The work would be categorized as a sound essay presented as a binaural, somewhat immersive soundwalk in an attempt to underscore

PARADE is a participatory web-based project enacting an endless virtual procession of voices. Through spatial audio and WebXR, this living acoustic monument turns global dissonance into an immersive, shared act of resilience.

A dubbed sound walk. Field recording caught using binaural microphones and remixed using heavy delay and bright reverb. Because it was recorded using binaural mics – it is best listened to on headphones.

Located in Lake Erie, Pelee Island is the southernmost inhabited point in Canada. It offers a small closely-knit community of residents who welcome tourists and offers thousands of migratory birds a sanctuary from their travels.

This is a soundscape composition based on an imaginary walk that embraces the audible space.

The recording captures the soundscape of what is locally known as walking on hollow snow.

Four works used repeatedly walked routes to map out imaginary islands. These were mapped cartographically and with sound and poetry. I am currently creating another two imagined islands.

An interactive theatrical experience of walking with a twelve-year-old girl as your daughter along the Dubai creek, leading you through contrasting natural and urban landscapes – bringing to light the many lives of the creek and the stories of its human and more-than-human inhabitants.

A walking tour that discovers a Hibernian heart in Sydney's CBD.

Binaural recordings of hidden speakers while walking in Japan

This sound walk, called “Practical Exercise Of Wonder And Surprise – Silence And Listening,” invites people to slow down and really tune in to the sensory world around them.

Avian Humanoids, a production by composer, producer, and performer Evelien van den Broek, is a soundwalk that transports you to the world of mythological creatures, uncanny sounds, and musical fantasies. You walk from tree to tree, to five unique trees in Oosterpark, Amsterdam (NL). As soon as you stand beneath them, the tree comes to life, and you hear the rustling of leaves and the fluttering of wings. This isn’t just any park; these aren’t just any trees. Here live the Avian Humanoids. Part human, part bird. In their tree, they begin to sing. As they sit above you and fly around you, you listen to their song.

Fanfare is an interactive sound walk with a sticky sad marching band.

Blake guides you miles down forgotten railroad tracks to an abandoned double-decker passenger train in the middle of the California desert.

A walk piece by Janet Cardiff and George Bures Miller, curated by Bruce Ferguson for the landmark group exhibition Walking and Thinking and Walking, at the Louisiana Art Museum in Denmark, 1996. The walk leads the audience through the back end of the museum, by the sea, through a garden, mixing fictional images evoked by the narration with factual imagery seen by the listener.

Normalised Interfacing is a wheelchair soundwalk, mapping the experiences and thoughts of a wheelchair user in a new city.

The soundwalk part of The Enchanted is a collection of poetic stories. They begin from Seagull John telling the myth of Hy-Brasil, interrupted by fairies and magicians who are birds, to comment on the modern society.

An intimate walk through her childhood and its messy, burgeoning queerness, local author Clare Johnson shares stories of herself, those she has known, and also reflects on the many whose lives are left unwritten on the landscape.

‘Along The Lines’ is an immersive mobile soundwalk exploring Brighton’s laundry heritage. Designed and recorded by sound artist and researcher Anna Celeste Edmonds, in collaboration with charity Quiet Down. This project was funded by the Heritage Lottery, and is accessible on Echoes and the artist’s website.

‘Hulked’ began life as a creative heritage project funded by Creative Estuary in 2022 bringing sound artist Anna Braithwaite, writer and academic Jeremy Scott and mariner Ed Gransden together to research and tell the memories, tales and music of the Thames Barges. Thanks to successful Arts Council Funding, Hulked continued into 2024 with the launch of the soundwalk supported by a year-long series of focus days celebrating different aspects of the project including heritage, environment and technology.