1 track album Strandhem’s first release is a 32min album-song called “Le Spectacle”, lyrically based on the book by French philosopher and critical theorist Guy Debord “La Societé du Spectacle”. The book, along with the album, is a social critique of our society of appearances and personal commodification at the expense of our happiness and
Canada’s cities, parks and landmarks are full of Indigenous-led walking tours that explore the rich culture of our own backyards
Source: Immerse yourself in local culture with these Indigenous-led walking tours – The Globe and Mail
pedestrian acts
By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.
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