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Chasing the Sounds – By Caitlin Woolsey

Historian Caitlin Woolsey dials into pioneering German sound artist Christina Kubisch’s Electrical Walksas portraits of cities. Source: Chasing the Sounds – By Caitlin Woolsey

Curated news

National Geographic Out of Eden Walk

Pulitzer Prize-winning journalist and National Geographic Fellow Paul Salopek is retracing on foot the global migration of our ancestors in a 38,000 km, seven-year odyssey that begins in Ethiopia and ends in Tierra del Fuego. Source: National Geographic Out of Eden Walk

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Sound Of Cities: Hong Kong’s Natural Orchestra Is Pretty ‘Green’ | Sound of Life | Powered by KEF

A virtual sound map and library reveals a different side to the Asian megacity that is Hong Kong – one that is far removed from its image of a concrete jungle. Source: Sound Of Cities: Hong Kong’s Natural Orchestra Is Pretty ‘Green’ | Sound of Life | Powered by KEF

Curated news

Sounds of Hong Kong — The Ocean, the Traffic, and the Buskers – MAEKAN

We recommend getting some headphones for this next part. Sit back, listen, and immerse yourself in these sounds of Hong Kong. Source: Sounds of Hong Kong — The Ocean, the Traffic, and the Buskers – MAEKAN

Walking their alpacas – Japan Today

Shinya Ide and Shion Ito walk alpacas Akane and Satsuki in the early morning in Tokyo. The couple operate an indoor petting zoo, Alpaca Land. The woolly natives of South America spend time with visitors who pay 1,000 yen for 30 minutes petting them, hugging them and burying faces in their…

Source: Walking their alpacas – Japan Today

Submitted by: Babak Fakhamzadeh

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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