Turtle Houses

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Longlisted for the Write about Walking A/way competition 2023


‘Turtle Houses’, are the words in the speech bubble of the faded mural of Donatello. Underneath reads, ‘Portable, single-occupancy, solar-powered pod-abodes for nomads’. They mean for the homeless. Instead of building houses. Tin-mini-winnies. Bet they’ve never tried living in one, not with a kid. Connector-pods don’t work. Hatchlings don’t bear up to attempted theft. That’s why my three-year-old ended up in mine, saving for a lifer to grow into. Now she’s ten, we’re back in separate shells. Video-coms is no substitute for a hug, but air’s too scarce to share. At three, she’d no clue what CO2 does to a developing brain, how air-filters struggle with two, that we weren’t so much falling asleep as unconscious—she liked feeling fizzy. I’d open our capsule when she slept. They’re not called coffin-ships for nothing.

Now she’s ten, settled into her own shell, she can handle canal locks, docks at communal shower blocks, migrant kitchen co-ops, and shifts at waterway factories, hydro-plants and mills, for food and fuel. Tonight’s her first solo-flood and I’ll check her tether. One day she’ll surf flood to the sea or join a floating-village or settle in some Nepalese city-peak. Until then, each sunset we’ll leave with the low-tide queue, trudge mud-tracked roads with 24-hour drone-radio, pull our turtle houses behind, like a toy wagon-train, and when Donatello sings, we’ll join in and sing-along with the song of the turtle dome that turns a house into a home, pretending to believe until the dream bubble becomes real.

Rosaleen Lynch

Rosaleen Lynch

Rosaleen Lynch, is an Irish community worker and writer in the East End of London with words in various journals and prize shortlists, is a winner of the HISSAC and the Oxford Flash Fiction Prize, has work selected for the Wigleaf Top 50 2023 and has a col...

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