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1 Sep, 2024

Thyme

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Long listed for the Write about Walking Together competition 2024


Thyme – written and read by Damaris West

Where the stream is a path
up the sandstone boulders
and the path is a stream,
there are shell-pink buds
of dog rose, sowbread, cranesbill,
one lone orchid, mysterious
blue flowers I can’t name,
- and wild thyme.

'Look!' I call to the dogs
as they rear and plunge
through drenching grasses,
'I've found us thyme!'
But they do not heed me, knowing
full well they have time in abundance,
full well they'll be granted to live again
twitching tonight in their dreams
this beautiful afternoon.

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APA style reference

West, D. (2024). Thyme. walk · listen · create. https://walklistencreate.org/2024/09/01/thyme/

Writing Competition 2024 Walking Together Long list

Collection · 27 items
Sound Walk September
creative writing
walking writing
walking
poetry
Walking Together
longlist

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Walking Together

Shani Cadwallender gives her view on "Walking Together" the theme to this year's writing competition.


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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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