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Helen Mirra

Helen Mirra

Helen Mirra's areas of interest are sati (awareness) within somatics, sila (ethics) in ecology, and the apparent edges of disciplines as actual centers of integrated experience. She has been a guest of the DAAD Kunstlerprogramm in Berlin, the Laurenz Haus in Basel, IASPIS in Stockholm, and OCA in Oslo; a fellow at the MacDowell Colony and Civitella Ranieri; and artist-in-residence with the Consortium of the Arts at the University of California at Berkeley, the Center for Book Arts at Mills College, and the Isabella Stewart Gardner Museum. She has received awards from the Guggenheim Foundation, the Louis Comfort Tiffany Foundation, the Driehaus Foundation, and Artadia. She was a Loeb Associate Professor of the Humanities at Harvard University and a Senior Lecturer at the University of Chicago with the Committees of Visual Art and Cinema & Media Studies. She has had some other jobs also: as a waiter, a bread baker, a pre-press operator, a museum preparator, a library clerk, a postal carrier. She doesn't identify with her legal name; some people call her Hm (pronounced either way) and some people call her Kombu. She is autistic, and 167cm in height. Since 2008 her practice has been contingent with walking.
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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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