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John Bowers

John Bowers is an artist-researcher with an academic background in the social and computing sciences, design, music and critical theory. As an improvising musician, he works with modular synthesisers, home-brew electronics, reconstructions of antique image and sound-making devices, self-made software, field recordings, esoteric sensor systems, and spoken text. He often combines performance with walking and the investigation of selected sites to research an imagined discipline he calls ‘mythogeosonics’. He has performed at festivals including the collateral programme of the Venice Biennale, Experimental Intermedia New York, Transmediale/CTM Vorspiel Berlin, Piksel Bergen, Electropixel Nantes, BEAM London, Aldeburgh Festival and Spill Ipswich, and toured with the Rambert Dance Company performing David Tudor’s music to Merce Cunningham’s Rainforest. He contributed to the design of The Prayer Companion - a piece exhibited twice at the Museum Of Modern Art (MoMA), New York, and acquired for their permanent collection. Amongst many musical collaborations, he works with Sten-Olof Hellström, Tim Shaw, Kerry Hagan, Paul Stapleton and in the noise drone band Tonesucker. He helps coordinate the label Onoma Research and works in Culture Lab and Fine Art, Newcastle University.
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plodge

The Scottish and English word plodging has been wading through the lexical muck and mire since the late 1700s, and it refers to icky, slow, molasses-type walking. Plodge is probably a variation of plod. This word isn’t totally out of use, as a 1995 use from British magazine The Countryman illustrates: “Northbound Pennine Wayfarers, plodging through the interminable peat-bogs of the North Pennines.” Even if you have a spring in your step, it’s tough to skip merrily through the peat-bogs. Credits to Mark Peters.

Added by Geert Vermeire

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