Operating at the intersection of acoustics, audiology, urban design, sound art, soundscape studies, and experimental music, Drever’s practice represents an ongoing inquiry into the perception, design and practice of everyday environmental sound. He has a special interest in soundscape methods, in particular field recording and soundwalking. Resulting from the findings of his study on the noise impact of high-speed hand dryers, Drever has been attempting to reconceptualize hearing in sound practice that diverges from a paradigm predicated on a singular, idealized, symmetrical model of hearing (i.e. the auraltypical) that has predominated.

In 1998 he co-founded and chaired the UK and Ireland Soundscape Community (a regional affiliate of the World Forum for Acoustic Ecology) for whom he chaired Sound Practice: the 1st UKISC Conference on sound, culture and environments in 2001 at Dartington College of Arts.

Drever is an avid collaborator and has devised work in many different configurations and contexts. Commissions range from the Groupe de Recherches Musicales, France (1999), WDR Studio Akustische Kunst, Germany (2011), Shiga National Museum, Japan (2012). As a core member of arts collective Blind Ditch, he is currently working on the Common Line project (https://thecommonline.uk/), Britain’s first linear forest.

Drever is an Academician of The Academy of Urbanism, Fellow of the Royal Geographical Society, Member of the Institute of Acoustics and Audio Engineering Society and Fellow of the Royal Society of Arts. He is a Visiting Research Fellow at Seian University of Art and Design, Japan. In the summer of 2017 he was a Guest Professor in The Department of Digital Design and Information Studies, Aarhus University, Denmark and in the autumn of 2007, he was a Visiting Scholar, at the School of Creative Media, City University of Hong Kong. In June this year, Drever was a Visiting Fellow of the Institute of Advanced Studies, Loughborough University, contributing to their Sound Summit.