Mathis Nitschke

Mathis Nitschke

Award winner
Mathis Nitschke is an artist who works between disciplines. He combines his studies of classical guitar, visual arts and musical composition with theatre and opera, as well as for some years also coding. In collaboration with artists from various disciplines, Nitschke tries to give contemporary music theatre a new face.

Many of Nitschke’s artistic works reflect on the processes of creating and listening to music. In his musical compositions and productions he often starts with improvised or semi-improvised performances by flesh and blood musicians to capture not only their sounds but also their personality. When it comes to further processing, he likes to proceed experimentally and is a pioneer in new technologies.

Integrating smartphones and headphones as an integral part of todays public life, Nitschke created an interactive audio tour for promenaders at the Munich river Isar: VERGEHEN (“Passing”, 2017), an opera which one has to walk. It lets the real world interact sonically with the virtual world. In the “Deutsche Bühne” yearbook of 2017, VERGEHEN was nominated in the best stage/space/costume categorie.

In his collaborations with institutions like the Munich Philharmonic Orchestra or ECM Records he explores the exciting border area to art mediation: He interprets the act of music listening artistically.

In 2015, Mathis Nitschke founded Sofilab, a Munich-based sonic design studio and innovation lab working at the crossroads of art, industry and technology.
  • Mathis Nitschke
    New

    Start Again The Lament

    Mathis Nitschke
    · 18 Mar, 2024
  • Mathis Nitschke

    Doppelgänger

    Mathis Nitschke
    · 22 Sep, 2023
  • Mathis Nitschke

    Mission: Impossible OrchestrAR

    Mathis Nitschke
    · 29 Jun, 2023
  • Mathis Nitschke

    1 sqm stopped time

    Mathis Nitschke
    · 19 May, 2023
  • Post SWS22

    Exploring new symphonic realities in an inter-galactic soundwalk in 3D audio

    Mathis Nitschke
    · 4 Dec, 2022
  • Mathis Nitschke

    When We Have Sufficiently Tortured Each Other

    Mathis Nitschke
    · 27 Oct, 2022
  • Mathis Nitschke

    Hopium Machina Vision

    Mathis Nitschke
    · 17 Oct, 2022
  • Mathis Nitschke

    The Planets App

    Mathis Nitschke
    · 23 May, 2022
  • Mathis Nitschke

    Experimenta – Unite In Taste

    Mathis Nitschke
    · 10 May, 2022
  • Mathis Nitschke

    The Maelstrom of War – A Family History

    Mathis Nitschke
    · 3 May, 2022
  • Mathis Nitschke

    Labyrinth deLux – A Chrusoe Quest

    Mathis Nitschke
    · 31 Mar, 2022
  • Mathis Nitschke

    Brother Eichmann

    Mathis Nitschke
    · 23 Oct, 2021
  • Mathis Nitschke

    Pension Schöller

    Mathis Nitschke
    · 2 Jul, 2021
  • Mathis Nitschke

    The wearable spatial microphone Sonic Presence SP15

    Mathis Nitschke
    · 22 Apr, 2021
  • Mathis Nitschke

    Lure – a music-theatrical exploration of AI

    Mathis Nitschke
    · 13 Nov, 2020
  • Mathis Nitschke

    Protected: The story of Capstan and how it relates to the new Wow&Flutter repair plugin in Izotope RX8

    Mathis Nitschke
    · 10 Sep, 2020
  • Mathis Nitschke

    4 Quiet Pieces for Accordion in Pure Intonation

    Mathis Nitschke
    · 28 Jun, 2020
  • Mathis Nitschke

    MLure.art

    Mathis Nitschke
    · 11 Jun, 2020
  • Mathis Nitschke

    Analog Neural Synthesis

    Mathis Nitschke
    · 28 May, 2020
  • Mathis Nitschke

    Sound Mix Concert Video Duo2KW

    Mathis Nitschke
    · 14 Apr, 2020