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SWS23 2023

Last Listener at the Mid Atlantic Frost Fair

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Sub-collection

audio stories

Sub-collection · 6 items

liminality

1 sub-collections · 15 items
Sub-collection

poetry

6 sub-collections · 198 items
Sub-collection

soundscape

Sub-collection · 134 items

Related

Sound walk

All-American Ruins: Sunset Town

All-American Ruins guides listeners through immersive audio fantasies, recreating my experiences exploring abandoned spaces. Along the way, I ask questions about society and culture while encouraging folks to activate their imaginations for healing.

Blake Pfeil
walkingevent

Tidelines: Poetry Soundwalk

Tidelines is an interactive poetry soundwalk that responds to Uist’s unique coastal landscape. Mapped to Berneray’s East Beach, this 35-minute walk features a selection of poems written and narrated by local writers, with music by Duncan MacLeod.

Duncan MacLeod
Sound walk

Orasaigh

Orasaigh is a geolocative acousmatic soundwalk composition that draws upon the landscape around the tidal island of Orasaigh, located on the coast of South Uist at Boisdale.

Duncan MacLeod
url

Poems & Publications by Eilín de Paor

Writes short lyric & narrative poems. Working towards a full collection.

Sub-collection

audio stories

Sub-collection · 6 items

liminality

1 sub-collections · 15 items
Sub-collection

poetry

6 sub-collections · 198 items
Sub-collection

soundscape

Sub-collection · 134 items

Related

Sound walk

All-American Ruins: Sunset Town

All-American Ruins guides listeners through immersive audio fantasies, recreating my experiences exploring abandoned spaces. Along the way, I ask questions about society and culture while encouraging folks to activate their imaginations for healing.

Blake Pfeil
walkingevent

Tidelines: Poetry Soundwalk

Tidelines is an interactive poetry soundwalk that responds to Uist’s unique coastal landscape. Mapped to Berneray’s East Beach, this 35-minute walk features a selection of poems written and narrated by local writers, with music by Duncan MacLeod.

Duncan MacLeod
Sound walk

Orasaigh

Orasaigh is a geolocative acousmatic soundwalk composition that draws upon the landscape around the tidal island of Orasaigh, located on the coast of South Uist at Boisdale.

Duncan MacLeod
url

Poems & Publications by Eilín de Paor

Writes short lyric & narrative poems. Working towards a full collection.

Walking piece
Last Listener at the Mid Atlantic Frost Fair is a soundscape of a poem by Michael S Roberts, an English poet and polymath. It chronicles a mythical, dreamlike and almost hyperstitional journey of the poet and protagonist through a frozen world.

My interdisciplinary approach of collecting, curating and designing have all revolved around the same point on a map – not just a geographical location, but a specific moment in space/time coalescing into a process where I am constantly looping back on myself, repeating, returning and re discovering.

[This soundscape is a sound design of a poem by Michael S Roberts, an English poet and polymath, who made his living as a teacher]

In this piece, his voice becomes the conductor of an audio journey, harmonising with my carefully designed soundscape that embodies the essence of his walk through the cold winter months. He describes a mythical, dreamlike and almost hypersitional experience, producing a hypnagogic, almost liminal state, mirroring a real geographical place or perhaps an imagined one in our collective unconscious.

His verses conjure images of snow-covered landscapes and biting winds, drawing you deeper into the heart of winter’s grip. The sound design weaves together tapestries of sound, the syncopated rhythms evoking the ebb and flow of this imagined frozen world.

The soundscapes morph, as the journey delves into the Earth’s depths, transporting the listener to the mysterious realm of icy caverns and ancient glaciers. You can almost feel the chill in your bones as you venture deeper into the heart of the frozen earth.

Glaciers and icebergs become the protagonists of this tale, as the sound design orchestrates the haunting crashes and majestic splittings. The poet’s verses describe these frozen giants as they glide and collide, narrating the majestic display of nature’s grandeur. The syncopated rhythms echo the unstoppable and indifferent forces at play, creating an auditory experience that mirrors the power and beauty of the sea ice.

Last Listener at the Mid-Atlantic Frost Fair is a fusion of poetry and sound design, entwining the chilling beauty of winter with the artistry of words and music. It invites the listener to embrace the cold’s enchanting embrace and embark on a soul-stirring journey into the heart of winter’s icy realm.

I wanted this audio piece to paint, in every moment, a vivid portrait of a freezing, icy landscape, yet provide an uplifting, promising and triumphant backbone, serving as a testament to the majesty of nature’s frozen wonders.

1693996387.Michael_S_Roberts_-_Last_Listener_at_the_Mid-Atlantic_Frost_Fair_TO_SD

CC-BY-NC: Tony Onuchukwu

Credits

Michael Symmons Roberts

APA style reference

Onuchukwu, T. (2023). Last Listener at the Mid Atlantic Frost Fair. walk · listen · create. https://walklistencreate.org/walkingpiece/last-listener-at-the-mid-atlantic-frost-fair/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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