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SWS23 2023

Saeflod, A Walking Requiem

Saeflod, A Walking Requiem
Moors Valley Country Park & Forest, Horton Road, Ashley Heath, Ringwood, UK
Free

Inside Out Dorset

Collection · 3 items

installation

Collection · 42 items
Sub-collection

prose

Sub-collection · 36 items
Sub-collection

soundscapes

Sub-collection · 30 items

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Richard Long Installation at the Speed Art Museum in Louisville

Source: Richard Long Installation at the Speed Art Museum in Louisville

Inside Out Dorset

Collection · 3 items

installation

Collection · 42 items
Sub-collection

prose

Sub-collection · 36 items
Sub-collection

soundscapes

Sub-collection · 30 items

Related

url

Dallas Simpson

Dallas Simpson has spent over 20 years involved with recording and performing binaural soundworks. The subject of each recording varies from natural surroundings, to artificial environments. In addition to recording these soundscapes, Dallas Simpson has also performed live. A number of samples of his work are available for download from this site. Dallas is a professional CD Mastering Engineer trading under the name dallas MASTERS.

url

Ann Rutherford

Subterranean - These sketch book drawings and soundscapes are part of a larger project to explore the dark underground through sensory experience.

video

Words to Light the Dark: Writing the worlds of other animals

How do we bridge the experiential gap between that of humans and other animals with writing that feels intelligible to us, while reaching for the differences in how other animals sense, think, and act? Chantal Lyons author of Groundbreakers: the return of Britain’s Wild Boar and our story writer-in-residence as she hosts Emma Geen, author

Chantal Lyons Emma Geen
Curated news

Richard Long Installation at the Speed Art Museum in Louisville

Source: Richard Long Installation at the Speed Art Museum in Louisville

Sound walk
No longer available
Experience voices and music in the forest, a requiem for the Earth. You are invited to interact with a series of sound boxes placed amongst the trees. Walk, listen, pause, and move.

Experience music in the forest, a requiem for the Earth. You are invited to interact with a series of sound boxes placed amongst the trees. Walk, listen, pause and move.

Prompted by the death of her mother, Helen Ottaway’s research began with her participation in the Sura Medura International Artists Residency in Sri Lanka in 2017. Beside the Indian Ocean she created soundscapes, performances and tunes for musical box. On her return to the UK she continued to develop ideas including creating Wind & Unwind for Dorset Moon (Sherborne Abbey) in 2019. She also delivered her talk A New Kind of Requiem at conferences and galleries across the South West.

The Requiem has been developed with poet Rosie Jackson, who has written poetry and prose, combined words and collected stories to create the libretto.

Saeflod combines installation and performance. Text, music and found sound – and invites active participation from audience and visitors. It is a requiem for all our losses – human and environmental. Performers will include Helen’s long time collaborator singer Melanie Pappenheim and a specially created Saeflod choir.

This is a world premiere, commissioned by Activate Performing Arts for Inside Out Dorset 2023. Activate has supported this work throughout its development.

Credits

Composer Helen Ottaway
Librettist Rosie Jackson
Sound designer Alastair Goolden
Set and costume design Anya Hobson (3rd year student at Arts University Bournemouth)
Costume making AUB first year students
Set and costume realisation Maisie Perkins (2nd year student at AUB)
Recorded instrumental material – Orchestra for the Earth
Voices Melanie Pappenheim with the Saeflod choir
Spoken Voices Rosie Jackson, Wayne Smith
Thanks to Lara Maiklin for use of an extract from her book Mudlarking

Created and produced by Artmusic
Commissioned by Activate Performing Arts for Inside Out Dorset 2023
with funding from Arts Council England, Dorset Council, Forestry England
Helen Ottaway is supported by PRS Foundation’s The Open Fund
Hosted by: Activate Performing Arts / Inside Out Dorset

APA style reference

Ottaway, H. (2023). Saeflod, A Walking Requiem. walk · listen · create. https://walklistencreate.org/walkingpiece/saeflod-a-walking-requiem/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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