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SWS24 2024

Tastes Like Home

Tastes Like Home Cover Art
La Piazza, Saint Paul's Square, Bedford, UK
90 minutes
Free

A co-creation between 8 artists in Bedford and hundreds of stories of food memories from members of the public, fed into this audio trail full of heart and flavour. Encounter poems, short-stories and audio plays inspired by Bedford’s culinary heritage. Bedford is arguably UKs most diverse town, with the highest number of mixed heritage residents, and with the largest Italian diaspora community globally outside of New York. A vibrant market town, and home to many independent cafes and restaurants serving cuisines from around the world with thriving diaspora communities. Enjoy this taste of Bedford’s past and present with this heritage audio walk produced by Words Set Free and Echo Chamber Audio.

Credits

Aaron Spendelow, Alex Levene, Adie Mueller, Bartolomeo Ziccardi, Desiree Bashi, Hannah Jones, Hazel Fattorusso, Kimo Jeepaz, Lorenzo Bassignani, Oskar Konrad Puanecki, Radhika Aggarwal, Radhika Shah, Ricky Thapar, Rue Hughes, Sareya Randhawa, Sarika Shah, Sophie Herxheimer, Will Mitchell.
With support from The National Lottery Heritage Fund, Historic England’s High Street Heritage Action Zone for Bedford, The Place Theatre, Bedford Creative Arts, and Wellbeing Media Studios.
Creatively produced by Radhika Aggarwal for Echo Chamber Audio and locally produced by Alex Levene for Words Set Free

APA style reference

Aggarwal, R. (2024). Tastes Like Home. walk · listen · create. https://walklistencreate.org/walkingpiece/tastes-like-home/

Related

Alex Levene and Radhika Aggarwal enjoying the markets surrounding La Piazza
post

A Celebration of Bedford’s Food Memories

With Tastes Like Home, a co-creation between 8 artists in Bedford, worked with hundreds of stories of food memories from members of the public, to construct an audio trail full of heart and flavour.


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hybrid flaneur/flaneuse

Hybrid flaneur/flaneuse has become a performative “orchestrator” of steps and technologies – of sensory and emotional encounters. It is this oscillation between the poetic, the socio-technological, the geographical and the emotional that shifts the meaning of flanerie and walking in the 21st century. Hybrid flaneur/flaneuse can be also described in line with the cultural and aesthetic trajectories of the 20th century ambulatory practices. Therefore, a hybrid flaneur/flaneuse could be a creative merging of the romanticised view of early flaneur, the radical tactics and political implications of psychogeography and the performative/site-oriented elements of Fluxus and Land Art – all considered through a wide range of embodied media, social and geographical sensitivities.

Added by Bill Psarras
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